Tuesday, 3 February 2015

SWITZERLAND

The Swiss Final was held on January 31st at the Bodensee Arena in Kreuzlingen, hosted by Sven Epiney. The winner was chosen by televoting (50%) and an "expert" jury (50%). The winner was Mélanie René with the song "Time to shine".

Previous to the final there was an extensive search for songs and artists by each of the national TV areas as well as an open internet qualification. This was followed by an 'expert check' round where 18 acts were reduced to a final of 6. During the final, each act not only performed their song for Eurovision but also a non-eurovision cover song of their choice

The song is a modern ballad with strong beat. The start of the song is quite dull in terms of backing and it is hard to see where the tune sits. At times, it feels so low that you wonder if she is singing in tune at all. The verses are a little freeform and the phrases skim over the 4/4 beat which makes it a little uneasy on the ear and hard to predict and therefore hard to engage with. The chorus, however, is very strong and really shows of Melanie's range and rich vibrato. She is backed by three backing singers and a small band including a guitarist who rocks out during the solo.

Melanie is a relative newcomer although she has competed in many competitions and has studied and performed abroad. She has a very strong and distinctive tone to her voice and the fact that she writes her own stuff means she can use her voice to the best of her advantage. Her diction is also very clear and doesn't really show any kind of accent when she sings. She also has an interesting look about her but could do with a more flattering dress.

I think the backing music needs more work and needs to have something else to catch the ear in the verses. Obviously, changes need to be made to the staging of the song. I quite like the backing singers and think they should be kept as prominent on the Eurovision stage - especially if they keep their interpretive arm movements. It would be nice to see Melanie is something a bit more sassier and in keeping with the feeling of the song, although the white did look nice on her. They will probably keep in the guitar soloist as it may give her an excuse to rock out a bit

Although not the favourite going into the Swiss final, it was quite obvious that she was by far the best singer there. The song, although not bad, does lack in catchiness and immediacy and won't be crowned the winner in May. She is much better than the song. It's a song that is too punchy to be a flag waver but not quick enough to be a foot stomper. I think juries are more likely to give HER points for vocal ability rather than the song.


ARTIST - Mélanie René
SONG - Time to shine
MUSIC - Mélanie René
LYRICS - Mélanie René

Sunday, 1 February 2015

FRANCE

The French song was surprisingly unveiled on January 23rd via an announcement on the France 2 website. However before the day was done, other snippets of the song had leaked onto the internet and the broadcaster was forced to release a full length clip. The song, called "N'oubliez pas" (Do not forget) will be sung by Lisa Angell.

The only firm announcement regarding France's participation in this year's Eurovision was made way back in August as it was revealed that the contest would move from France 3,  where the contest has been shown since 1999, back to France 2. But no information was made or garnished from this fact regarding song or artist selection. However, it seems like the host broadcaster was busy making plans with very little fuss at all.

The song is very much a French ballad and in some ways feels quite old fashioned in style. The motif of the song seems to be that of World War One, although many parallels have been drawn to the recent situation regarding the shootings in Paris.The first minute is very slow to get going and it is not until the second minute does the song starts to get into its stride. The verses are a little pedestrian - the first verse seems to go on forever. The chorus is much more memorable but is not repeated enough in the structure of the song to make a mark in your mind. The third minute feels like an over extended bridge. You feel that at any minute it will go back to the chorus but never does and you find your self at the end of the song feeling like you've missed something.

Lisa Angell is little known outside her homeland. According to Spotify, she is France's version of Susan Boyle - due to her becoming famous in her forties by appearing on a French talent show. Her most successful album was released last year and was a covers album of songs from the 30s, 40s and 50s. As this is a recorded clip it is tricky to judge how well she can perform the song live or how it will come across. It seems as though she has experience on singing in TV shows and in bars and clubs but will she be able to fill a Eurovision stage?

I am hoping that this is just a rough copy of the song we will hear in Vienna. There is so much that needs to be done to this song to fulfil its potential. The last minute needs to have an extra chorus and the starting verse needs to be shaved down a tad. The odd big note or key change would not go amiss either. Judging by the sentiment of the song, this is going will have come across in the backdrop and performance. It may needs backing singers but I don't feel that dancers would be at all suitable for the song. Lisa will also have to have a great connection with the camera. I hope she does a live version of this soon.

France have had a very haphazard history in Eurovision over the past couple of decades and maybe they are thinking that going back to what they do best will stand them in good stead. However I fear that it will come across as too old fashioned, even for the juries, and will end up doing little better than last year. Maybe if they get the tone of the song and ambiance right it might strike a chord but there is very little change of seeing this even on the left hand side of the scoreboard.


ARTIST - Lisa Angell
SONG - N'oubliez pas (Do not forget)
MUSIC - Robert Goldman
LYRICS - Robert Goldman

Friday, 30 January 2015

2015 Show 4

Hello - and the podcast is finally back!

I start the show with a little recap over why we've been quiet over the last few weeks as well as a little look forward to my next 11 weeks of maternity leave panic!

After some tech-troubles I now hope to get the website back up to speed!!! However being out of the loop has meant a limited knowledge of ESC-related things so this podcast is a little under-rehearsed and freeform.
I take a quick look back at some of the news as well as a look at the Swiss and Cypriot finals at the weekend. Reviews of these AND the surprise reveal of the French song should be up ont he website in the coming week I end with a mini rant about the recent 2015 semi draw...

We also have music from Conchita (no beard), one of the Aspelunds, one of the village people and Macedonia's version of Boudicca....


Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show4


Click here to listen to this podcast in your usual music player (M3U Playlist)

Friday, 23 January 2015

GEORGIA

The Georgian Final was held on January 14th at the 1TV Studios in Tbilisi. The winner was chosen by an international jury (50%) & SMS voting (50%) which ran for two weeks before the final. The winning song was "Warrior" written and sung by Nina Sublati.

The final was an odd affair, with a presentation in the new year and a long voting window before the announcement. Many may see a similarity to the bizarre way the French broadcaster chose Twin Twin last year. The five competing songs were all very different, almost a bit too different, which could have made comparing the songs quite difficult. However, Warrior came first in both parts of the judging.

The song has a definite style and feeling. The verses and chorus have definite patterns which repeat over and over again however the verses are much stronger. The song isn't really in a set genre as it seems to dip into rock, goth and has an eastern-style electro break down in the middle. The main down side to the structure of the song is that it doesn't really go anywhere. The song stays on the same level from beginning to end which is a shame. 

Nina is no stranger to competition as she won the Georgian Idol competition in 2013. She has a good voice and an engaging personality. I do feel that she needs a little bit more help getting the words out correctly but I feel this is more of a lyric issue than a pronunciation one. Although her ability to sing is not questioned, neither is her sense of style. She has a very unique look, one possibly not seen at Eurovision, with her dark make up, tattoos and  black leather dress. Her dark style may appeal to the more rocky followers of Eurovision and might also appeal with fans of gothic series such as Game of Thrones and such like. During the song she doesn't really do much but in some ways she doesn't need to as I don't think dancing walking around or even having over done armography would suit her or the song. She seems to interpret the song with gusto and attitude.

The first thing that needs to be sorted is the song length. As is, it is about 20 seconds over. This could be negated quite quickly by either getting rid of a chorus or by chopping off most of the over-extended intro. Then there is the trouble with the lyrics. It seems to be some kind of Georgian Eurovision trait to have a song in badly written English. Parts of it need to be re-written to make sense or at least contain words that are actually found in a dictionary. As far as the performance goes the track requires backing singers but I don't think it needs much more. I almost see this song as having a "Euphoria" type staging with Nina centre and a dancer possibly around her, emphasising her status as the Warrior in the song. Maybe having drums or an industrial setting might help too. Lastly, it would help if the song really ended on more of a crescendo as I feel the song lacks a real punch, especially for a song that is so feisty.

The obvious comparison now will be with the OTHER song called "Warrior" at Eurovision in 2015. I will admit that after a listen or two I couldn't quite keep it in my head but after a few more it really starts to stick. Although not immediate, this song certainly screams Warrior more than its Maltese cousin. I think this will do pretty well in May although possibly not engaging enough to be a winner.


ARTIST - Nina Sublati
SONG - Warrior
MUSIC - Nina Sublati
LYRICS - Nina Sublati

Monday, 5 January 2015

2015 show 3

Happy New Year to you all!!!!

 In this episode I catch up with most things Eurovision-y, however as most things seem to be happening in February and March I seem to have got away with such a long gap between podcasts

Reviews of Belarus and Albania are already on the website so I haven't gone too much into detail about what I think about them, although you can probably guess my reaction to the unveiling of the national final in Georgia. I also talk about the three hosts of Eurovision this year and wonder if Conchita has what it takes to be in the green room.

In between news bites there is music from Monaco, Denmark, Germany and Greece


Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show3


Click here to listen to this podcast in your usual music player (M3U Playlist)

Thursday, 1 January 2015

ALBANIA

The Albanian Final was held on December 28th at the Palace of Congress in Tirana, hosted by Turjan Hyska, Floriana Garo & Liberta Spahiu. Before the final there were 2 semi-finals of 13 songs, with 9 qualifying from each. The winning song was "Diell" (Sun) sung by Elhaida Dani.

As ever the Albanian song was chose using their "Festivali I Këngës" competition, this edition being the 53rd one! This year's competition had a range of styles and genres although 'Balkan-esque Ballads" seemed to protrude most. All semi finals and finals were judged by a jury of Albanian music professionals, including 2012 entrant, Rona Nishliu. "Diell" seemed to be the favourite beforehand and easily took the victory.

The song starts a bit like "L'essenziale" however the tune and structure is completely different. As the song goes on, more rocky elements are introduced to the backing, including a guitar solo in the middle. The verses are quite breathy whilst the real power comes in during the choruses. I think the song is also lifted due to the presence of the live orchestra, something with will not be there in May.

Elhaida is possibly the most famous Albanian singers at the moment. Not only has she appeared in previous "Festivali I Këngës" but in 2009 she won Star Academy Albania and in 2013 she won "The Voice of Italy". So one can firmly say she is used to performing consistently live in front of a huge audience. If I had one criticism of her style it would be that she over-does it a bit and can sound like she's really straining. During the final she wore a very nice red dress with slicked back hair. This seemed to suit her as she moves around the stage with ease and seems to like to uses her arms a lot!

As ever, this Albanian song as it stands is nearer 4 minutes than 3 minutes. Apart from the guitar solo, I can't really see what they can take out without losing all the aspects of the song. The other likely change is the language. After her win, Elhaida said that the song would more than likely be performed in English. Although I am generally a bigger fan of mother tongue entries I think this would benefit from a change although part of me wonders if a change to Italian would be even more beneficial..? I don't think they should do too much to the performance quality. She doesn't need any backing singers and doesn't require the distraction of extra dancers or even a dynamic backdrop.

This is a very slick song but there is something missing at the moment. I don't feel much connection to her or the song, something that may change with a language switch. The first bit of the chorus is really the only part of the song which is at all memorable and I don't think after 25 other songs in the final this will be at the top of any televoting list - apart from Italy and San Marino maybe. It's not really the style of Eurovision songs I like but I feel that a discerning jury panel may well give something like this full marks.


ARTIST - Elhaida Dani
SONG - Diell (Sun)
MUSIC - Aldo Shllaku
LYRICS - Viola Trebicka, Sokol Marsi

Monday, 29 December 2014

BELARUS

The Belarussian final was held on December 26th at the 600 Metrov, Minsk, hosted by Olga Ryzhikova and Denis Dudinskiy. Before the final, there was an auditions process, broadcast online which reduced the field to 15. The song to be sung in Vienna will be "Time" performed by the duo Uzari & Maimuna.

BRTC had an open selection process, as they have had in most recent years. The scoring system in the final was similar to previous years as 1/8 of the score was from televoting whist the other 7 jurors have 1/8 each. Although Muzzart won the televote, they barely got any votes from the jury. At least the Belarussians are transparently opaque! The production and sound values on the webcast sounded awful and so songs that sounded bad may not have been quite as bad as we thought! For this reason, I've also added the audition film below too.

The song starts off as a piano led ballad but grows and grows into something more up-tempo and punchier. The chorus as the main selling point here, or at least should be. The song in itself is written really well with lots of highlights, and a very earworm-y chorus but what it gains in tune it lacks in production values. The violin solo 2 minutes in needs more work as it doesn't work in the performance as it was on the night and the ending is a little odd.

Uzari has quite an intriguing voice and an engaging personality - you certainly feel like he is really pulling you into the song. His voice really suits the song and I quite like the way he can't quite reach the high note in the chorus. Maimuna comes into view just before the first chorus as the music starts to change. She is a very attractive young lady but really doesn't do very much. They interact quite well although at times it looks a bit placed and forced and unnatural. Maybe one they know what the stage will be like they can work something much more stunning and visual. i find this quite odd as their audition performance showed better chemistry than the one in the national final....  Also the clock motifs on the back drop and on screen really worked and I liked the gold cogs-like necklace motif on Uzari's neckline!

This has a lot of potential. Hopefully somebody will make the chemistry between the two much more believable by better use of the staging and much cleaner camera work. As I've already said, quite a bit of work needs to be done on the production value of the backing track. I think if they can get this sorted they will have a really good entry. Adding extra backing singers might beef up the power of the chorus but I do hope not too many dancers are involved - these two are enough!

I am really surprised by this entry and I actually think this is a decent song full stop, never mind a song for Eurovision. If they sort out the production problems and make these two really connect they could be on for a really good placing. This is possibly my favourite Belarus entry ever - but that's not saying much !


ARTIST - Uzari & Maimuna
SONG - Time
MUSIC - Yuri Navrotsky, Svetlana Geraskova
LYRICS - Yuri Navrotsky, Svetlana Geraskova




Saturday, 20 December 2014

NETHERLANDS

The Dutch entry was premiered via the radio on December 11th during the show "Gouden Uren" and then debuted on TV during "The Voice" the next day. The song to be sung in Vienna will be "Walk Along" sung by Trijntje Oosterhuis.

The national broadcaster AVROTROS, like the last few years, decided to internally select their act for Eurovision. Back in November the rumours were confirmed that Trijntje would be the artist and that she would be singing a song written and produced by former Dutch Eurovision competitor, Anouk.

The song will bring is a mid tempo, slightly country-ish number - it certainly sounds like an Anouk track! It reminds me slightly of "One good reason" in 1999. It has a very repetitive and ear-wormy chorus The verses are very simplistic and don't stand out, however this over-emphasises the catchy chorus. Within one listen, the "why-ay-ay-ay" part of the chorus is stuck in your head forever. Having heard the song on and off now for the past week, I would like the song to have an ever so slightly faster tempo as I think this would get people flag waving and clapping much quicker

Trijntje is a well polished and experienced performer having been in the music business since the 90's. She has great stage presence and movement, knows where to look for the cameras and how to interact with the crowd, as well as how to present herself. Her voice suits the song well and she has decent pronunciation and vocal power. She also looks really good although if she wears a similar outfit in Vienna, I'd like here to have a slightly better hairstyle or even a jaunty hat!

Keeping in mind that this is an Anouk number - I don't think there will be many changes to the song and its production! The performance on the voice was quite minimal but will need to be thought through a bit more for Austria. I don't want to see dancers, as it isn't a dancy track and would take too much attention away from Trijtje. I'd like to see a row of male/female backing singers (maybe Ilse and Marco could be persuaded to join in considering they enjoyed the Voice performance so much!) I'd also suggest it needs a consistent and quite plain background, nothing too busy

This is a very strong song with a very catchy tune. The chorus is not too repetitive but gets inside your head. This will appeal to those who just watch the contest on the night and the viewers will remember it..... Enough to vote for it? I'm not that sure. You can certainly tell that the Dutch are striding along in confidence at the moment when it comes to Eurovision and I think this should easily qualify to the Saturday night.

ARTIST - Trijntje Oosterhuis
SONG - Walk Along
MUSIC - Anouk Teeuwe
LYRICS - Anouk Teeuwe Tobias Karlsson


Friday, 12 December 2014

2015 show 2

Round up number 2 of the countdown to Eurovision 2015.

Not really that much news this week but there was some trepidation to exactly what the much hyped Dutch entry was going to sound like! There will be a review of this later in the week but you can hear my tentative first opinion here. I also watched the start of the Cyprus Eurovision selection process, which confused me greatly... mainly because I don't speak Greek!

I'm not sure if it was the lack of news OR abundance of pregnancy hormones but this week's episode seemed to go off kilter a bit too quickly! If you would like to find out more about my karaoke exploits this Christmas, OR watch my videos from the last few years, you can find them at https://www.youtube.com/user/squiresag/videos

Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show2


Click here to listen to this podcast in your usual music player (M3U Playlist)

Friday, 5 December 2014

2015 show 1

My first round up of the 2015 Eurovision silly season!

There's firstly a nod to Junior Eurovision as well as completed national finals from Malta and Macedonia to catch up with. As for the rest, there are artist reveals and national final dates set.

WARNING - please be aware this podcast involves me bad mouthing about a certain Belgian city I didn't like (and neither did the hotel manager in Hasselt) and also made me realise I get very stressy over the French language - MY BAD!!!!!!

Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show1


Click here to listen to this podcast in your usual music player (M3U Playlist)