2015 show 6

Another week, another load of Eurovision news.

Lots to talk about this week including:
 - Dansk Melodi Snooze Prix
 - the shame of being part Irish
 - not liking Eurovision being 'political'
 - what I *really* think about Australia being in the final of ESC.

The first song is dedicated to the great people at the brilliant Eurodummies podcast who 'helped' me name my unborn child... If you have any other alternative suggestions - let me know !!!!


Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show6

Click here to listen to this podcast in your usual music player (M3U Playlist)

DENMARK

The Danish Final was held at the Gigantium in Aalborg on February 7th, hosted by Esben Bjerre & Jacob Riising. The winner was chosen by  5 regional "expert" juries (50%) & SMS voting (50%). The winning song was "The way you are" by Anti Social Media.

This year's Dansk Melodi Grand Prix followed a similar process to those of previous years although instead of a simple jury panel the 'experts' were split regionally 5 ways. Then the public votes were split and points allocated based on percentages, as in the Melodifestivalen final, which ended up with a close and exciting end result.

The song is a 60's tinged pop boyband song, in a similar vein to something McFly might have done years ago. The tempo of the song is quite gentle and doesn't really pack the punch of a standard Eurovision entry. This all said there is a definite structure to the song and a lot of repetition and has quite a simple melody which you can find yourself humming along to at a moments notice. But this is not a typical Eurovision song - in a bad way. It doesn't really have much character, hook or oomph to it. It is the proverbial vanilla and the antidote to anything Conchita-ish.

The band and whole act doesn't seem to fit the song. Their name suggests that they should be angry, grungy, a bit wild - yet they look far too well behaved and conformist and it makes you wonder if you have missed something. Besides that, the set up (as is) is quite distracting. A lot of focus is put on the lead singer however this can make it at times feel more like a solo performance. His vocal ability is quite good and seemed to be able to interact with the crowd and the camera quite well. There is also the distraction of the two female backing singers. They take up not only a lot of song time but a lot of camera time and you start to wonder who is *really* the star of the show here.

They won't do much to the song but they need to do a hell of a lot of work to the performance quality. Basically 'the band' is totally redundant as all they did was play their instruments and move about a bit - only one of them used a microphone. Considering the song relies heavily on backing vocals they either need to start singing or they need to be got rid of. The backing singers need to be much more co-ordinated and better placed on the stage. The back drop needs to be much stronger and NOT to end with the title on the back wall.... If there is one thing about the song I can be certain of and that is you can't really miss what the song is called.

The problem with this year's Dansk Melodi Grand Prix was that all 10 songs were utter rubbish and I would be able to find fault with any song they would have put through. But this song is just so nondescript it makes me scratch my head with wonder how it won (in retrospect, the massive jury wank helped). It's so poor it even makes me think "Talking to you" and "All night Long" are actually not a bad songs. Plus, when you look at their draw in SF1 you could see this drowning in a eastern European sea of craziness and sink without a trace. Right now this has no chance in hell of qualifying based on the fact that the countries yet to select in SF1 only have to choose something half decent to be better. If it does qualify it will be bottom 3 in the final.

ARTIST - Anti Social Media

SONG - The way you are

MUSIC - Remee S. Jackman, Chief 1

LYRICS - Remee S. Jackman

2015 show 5

Another week closer to Eurovision!

I look back at the last week in Eurovision land which includes the finals in Cyprus and Switzerland. Not much going on in terms of song selection but lots of 'preparatory' news this week with many broadcasters setting dates and making announcements about future announcements!
I also take a sneak peak at the 60th anniversary show (which looks really interesting!) as well as some surprising breaking news regarding next years Eurovision!!!!

Music comes from Cyprus, Norway, Switzerland and Germany


Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show5

Click here to listen to this podcast in your usual music player (M3U Playlist)

CYPRUS

The Cypriot Final was held on February 1st at the PIK TV Studios in Nicosia, hosted by Antri Karontini. Before the final there were 8 shows to whittle down the initial 50+ entries to a final of just 6. The winner was chosen by an "expert" jury (50%) and televoting (50%) which ran for the week before the final The winning song was "One thing I should have done" by Giannis Karagiannis.

The selection process this year are very different to those seen in previous years to choose Cyprus's entry. The core judging panel consisted of Elena Patroklou, Alex Panayi, Despina Olympiou and Tasos Trifonos and you needed at least three yeses to pas through. The next stage called "Eurochallenge" saw the 4 judges joined by Christer Björkman and Dimitris Kontopoulos. and in the final they were joined by Nicola Caligiore and Bruno Berberes. The elongated process meant you heard the finalists several times before the final - therefore getting to know the songs AND the artists

The song is a soft ballad in the ilk of "Me and my guitar" or "Stronger every minute" - the latter was written my Mike Connaris who also had a hand in this year's entry. The song is a very thoughtful and heartfelt song which has a very gentle and endearing quality. The chorus has a memorable tune and is repeated just enough to make a mark without becoming repetitive. The acappella part in the middle is a real stand out point and can imagine the arena either cheering support or even singing along at this point.

Giannis has a very interesting look and will appeal with his slightly shy-geek look. He also has a look that doesn't necessarily say 'singer' and so seeing him sing has a slight charm and surprise as you would not expect him to sound like that.. His voice is quite small and gentle, which suits the song and he has been very consistent throughout all the rounds, performing at a good level each time.

The song works as it is and needs very little doing apart from some production tweaks. It requires simple staging, simple production and simple backdrop and from that point of view they will need to think very carefully about the story they want to tell with the visual images. I also think Giannis's geeky look needs to stay, but may also require a little bit of tweaking depending on other visuals. The black and white used at the start during the final was an excellent touch. Although the song needs no dancers I'm not sure about backing singers. During the auditions process it was just Giannis and a backing track and it felt more sincere and clear.

I think this song will stand out and will appeal to the archetypal BBC Radio 2 listener although it also has that singer/songwriter youth appeal to it too. As long as it is not surrounded by songs that over power it I think this could do well. Although possibly not a winner (but I said that about the Common Linnets) I think this will qualify and will score a good enough placing to make sure Cyprus comes back again next year.

ARTIST - Giannis Karagiannis

SONG - One thing I should have done

MUSIC - Mike Connaris, Giannis Karagiannis

LYRICS - Mike Connaris, Giannis Karagiannis

SWITZERLAND

The Swiss Final was held on January 31st at the Bodensee Arena in Kreuzlingen, hosted by Sven Epiney. The winner was chosen by televoting (50%) and an "expert" jury (50%). The winner was Mélanie René with the song "Time to shine".

Previous to the final there was an extensive search for songs and artists by each of the national TV areas as well as an open internet qualification. This was followed by an 'expert check' round where 18 acts were reduced to a final of 6. During the final, each act not only performed their song for Eurovision but also a non-eurovision cover song of their choice

The song is a modern ballad with strong beat. The start of the song is quite dull in terms of backing and it is hard to see where the tune sits. At times, it feels so low that you wonder if she is singing in tune at all. The verses are a little freeform and the phrases skim over the 4/4 beat which makes it a little uneasy on the ear and hard to predict and therefore hard to engage with. The chorus, however, is very strong and really shows of Melanie's range and rich vibrato. She is backed by three backing singers and a small band including a guitarist who rocks out during the solo.

Melanie is a relative newcomer although she has competed in many competitions and has studied and performed abroad. She has a very strong and distinctive tone to her voice and the fact that she writes her own stuff means she can use her voice to the best of her advantage. Her diction is also very clear and doesn't really show any kind of accent when she sings. She also has an interesting look about her but could do with a more flattering dress.

I think the backing music needs more work and needs to have something else to catch the ear in the verses. Obviously, changes need to be made to the staging of the song. I quite like the backing singers and think they should be kept as prominent on the Eurovision stage - especially if they keep their interpretive arm movements. It would be nice to see Melanie is something a bit more sassier and in keeping with the feeling of the song, although the white did look nice on her. They will probably keep in the guitar soloist as it may give her an excuse to rock out a bit

Although not the favourite going into the Swiss final, it was quite obvious that she was by far the best singer there. The song, although not bad, does lack in catchiness and immediacy and won't be crowned the winner in May. She is much better than the song. It's a song that is too punchy to be a flag waver but not quick enough to be a foot stomper. I think juries are more likely to give HER points for vocal ability rather than the song.

ARTIST - Mélanie René

SONG - Time to shine

MUSIC - Mélanie René

LYRICS - Mélanie René

FRANCE

The French song was surprisingly unveiled on January 23rd via an announcement on the France 2 website. However before the day was done, other snippets of the song had leaked onto the internet and the broadcaster was forced to release a full length clip. The song, called "N'oubliez pas" (Do not forget) will be sung by Lisa Angell.

The only firm announcement regarding France's participation in this year's Eurovision was made way back in August as it was revealed that the contest would move from France 3,  where the contest has been shown since 1999, back to France 2. But no information was made or garnished from this fact regarding song or artist selection. However, it seems like the host broadcaster was busy making plans with very little fuss at all.

The song is very much a French ballad and in some ways feels quite old fashioned in style. The motif of the song seems to be that of World War One, although many parallels have been drawn to the recent situation regarding the shootings in Paris.The first minute is very slow to get going and it is not until the second minute does the song starts to get into its stride. The verses are a little pedestrian - the first verse seems to go on forever. The chorus is much more memorable but is not repeated enough in the structure of the song to make a mark in your mind. The third minute feels like an over extended bridge. You feel that at any minute it will go back to the chorus but never does and you find your self at the end of the song feeling like you've missed something.

Lisa Angell is little known outside her homeland. According to Spotify, she is France's version of Susan Boyle - due to her becoming famous in her forties by appearing on a French talent show. Her most successful album was released last year and was a covers album of songs from the 30s, 40s and 50s. As this is a recorded clip it is tricky to judge how well she can perform the song live or how it will come across. It seems as though she has experience on singing in TV shows and in bars and clubs but will she be able to fill a Eurovision stage?

I am hoping that this is just a rough copy of the song we will hear in Vienna. There is so much that needs to be done to this song to fulfil its potential. The last minute needs to have an extra chorus and the starting verse needs to be shaved down a tad. The odd big note or key change would not go amiss either. Judging by the sentiment of the song, this is going will have come across in the backdrop and performance. It may needs backing singers but I don't feel that dancers would be at all suitable for the song. Lisa will also have to have a great connection with the camera. I hope she does a live version of this soon.

France have had a very haphazard history in Eurovision over the past couple of decades and maybe they are thinking that going back to what they do best will stand them in good stead. However I fear that it will come across as too old fashioned, even for the juries, and will end up doing little better than last year. Maybe if they get the tone of the song and ambiance right it might strike a chord but there is very little change of seeing this even on the left hand side of the scoreboard.

ARTIST - Lisa Angell

SONG - N'oubliez pas (Do not forget)

MUSIC - Robert Goldman

LYRICS - Robert Goldman

2015 Show 4

Hello - and the podcast is finally back!

I start the show with a little recap over why we've been quiet over the last few weeks as well as a little look forward to my next 11 weeks of maternity leave panic!

After some tech-troubles I now hope to get the website back up to speed!!! However being out of the loop has meant a limited knowledge of ESC-related things so this podcast is a little under-rehearsed and freeform.
I take a quick look back at some of the news as well as a look at the Swiss and Cypriot finals at the weekend. Reviews of these AND the surprise reveal of the French song should be up ont he website in the coming week I end with a mini rant about the recent 2015 semi draw...

We also have music from Conchita (no beard), one of the Aspelunds, one of the village people and Macedonia's version of Boudicca....


Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show4

Click here to listen to this podcast in your usual music player (M3U Playlist)

GEORGIA

The Georgian Final was held on January 14th at the 1TV Studios in Tbilisi. The winner was chosen by an international jury (50%) & SMS voting (50%) which ran for two weeks before the final. The winning song was "Warrior" written and sung by Nina Sublati.

The final was an odd affair, with a presentation in the new year and a long voting window before the announcement. Many may see a similarity to the bizarre way the French broadcaster chose Twin Twin last year. The five competing songs were all very different, almost a bit too different, which could have made comparing the songs quite difficult. However, Warrior came first in both parts of the judging.

The song has a definite style and feeling. The verses and chorus have definite patterns which repeat over and over again however the verses are much stronger. The song isn't really in a set genre as it seems to dip into rock, goth and has an eastern-style electro break down in the middle. The main down side to the structure of the song is that it doesn't really go anywhere. The song stays on the same level from beginning to end which is a shame. 

Nina is no stranger to competition as she won the Georgian Idol competition in 2013. She has a good voice and an engaging personality. I do feel that she needs a little bit more help getting the words out correctly but I feel this is more of a lyric issue than a pronunciation one. Although her ability to sing is not questioned, neither is her sense of style. She has a very unique look, one possibly not seen at Eurovision, with her dark make up, tattoos and  black leather dress. Her dark style may appeal to the more rocky followers of Eurovision and might also appeal with fans of gothic series such as Game of Thrones and such like. During the song she doesn't really do much but in some ways she doesn't need to as I don't think dancing walking around or even having over done armography would suit her or the song. She seems to interpret the song with gusto and attitude.

The first thing that needs to be sorted is the song length. As is, it is about 20 seconds over. This could be negated quite quickly by either getting rid of a chorus or by chopping off most of the over-extended intro. Then there is the trouble with the lyrics. It seems to be some kind of Georgian Eurovision trait to have a song in badly written English. Parts of it need to be re-written to make sense or at least contain words that are actually found in a dictionary. As far as the performance goes the track requires backing singers but I don't think it needs much more. I almost see this song as having a "Euphoria" type staging with Nina centre and a dancer possibly around her, emphasising her status as the Warrior in the song. Maybe having drums or an industrial setting might help too. Lastly, it would help if the song really ended on more of a crescendo as I feel the song lacks a real punch, especially for a song that is so feisty.

The obvious comparison now will be with the OTHER song called "Warrior" at Eurovision in 2015. I will admit that after a listen or two I couldn't quite keep it in my head but after a few more it really starts to stick. Although not immediate, this song certainly screams Warrior more than its Maltese cousin. I think this will do pretty well in May although possibly not engaging enough to be a winner.

ARTIST - Nina Sublati

SONG - Warrior

MUSIC - Nina Sublati

LYRICS - Nina Sublati

2015 show 3

Happy New Year to you all!!!!

 In this episode I catch up with most things Eurovision-y, however as most things seem to be happening in February and March I seem to have got away with such a long gap between podcasts

Reviews of Belarus and Albania are already on the website so I haven't gone too much into detail about what I think about them, although you can probably guess my reaction to the unveiling of the national final in Georgia. I also talk about the three hosts of Eurovision this year and wonder if Conchita has what it takes to be in the green room.

In between news bites there is music from Monaco, Denmark, Germany and Greece


Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/2015_Show3

Click here to listen to this podcast in your usual music player (M3U Playlist)

ALBANIA

The Albanian Final was held on December 28th at the Palace of Congress in Tirana, hosted by Turjan Hyska, Floriana Garo & Liberta Spahiu. Before the final there were 2 semi-finals of 13 songs, with 9 qualifying from each. The winning song was "Diell" (Sun) sung by Elhaida Dani.

As ever the Albanian song was chose using their "Festivali I Këngës" competition, this edition being the 53rd one! This year's competition had a range of styles and genres although 'Balkan-esque Ballads" seemed to protrude most. All semi finals and finals were judged by a jury of Albanian music professionals, including 2012 entrant, Rona Nishliu. "Diell" seemed to be the favourite beforehand and easily took the victory.

The song starts a bit like "L'essenziale" however the tune and structure is completely different. As the song goes on, more rocky elements are introduced to the backing, including a guitar solo in the middle. The verses are quite breathy whilst the real power comes in during the choruses. I think the song is also lifted due to the presence of the live orchestra, something with will not be there in May.

Elhaida is possibly the most famous Albanian singers at the moment. Not only has she appeared in previous "Festivali I Këngës" but in 2009 she won Star Academy Albania and in 2013 she won "The Voice of Italy". So one can firmly say she is used to performing consistently live in front of a huge audience. If I had one criticism of her style it would be that she over-does it a bit and can sound like she's really straining. During the final she wore a very nice red dress with slicked back hair. This seemed to suit her as she moves around the stage with ease and seems to like to uses her arms a lot!

As ever, this Albanian song as it stands is nearer 4 minutes than 3 minutes. Apart from the guitar solo, I can't really see what they can take out without losing all the aspects of the song. The other likely change is the language. After her win, Elhaida said that the song would more than likely be performed in English. Although I am generally a bigger fan of mother tongue entries I think this would benefit from a change although part of me wonders if a change to Italian would be even more beneficial..? I don't think they should do too much to the performance quality. She doesn't need any backing singers and doesn't require the distraction of extra dancers or even a dynamic backdrop.

This is a very slick song but there is something missing at the moment. I don't feel much connection to her or the song, something that may change with a language switch. The first bit of the chorus is really the only part of the song which is at all memorable and I don't think after 25 other songs in the final this will be at the top of any televoting list - apart from Italy and San Marino maybe. It's not really the style of Eurovision songs I like but I feel that a discerning jury panel may well give something like this full marks.

ARTIST - Elhaida Dani

SONG - Diell (Sun)

MUSIC - Aldo Shllaku

LYRICS - Viola Trebicka, Sokol Marsi