Wednesday, 30 January 2019

CZECHIA

The Czech result was announced on January 28th.  The 6 chosen entries were revealed on the Ceská Televize website. The winner was chosen by an international jury (50%) & via the Eurovision mobile phone app (50%). Going to Eurovision will be the band Lake Malawi with the song “Friend of a friend”

As the competition was via the website and based on video clips of all the entries there is yet a live version of the song, although there are a few live performance videos around on youtube if you search for them. The video for this song is very basic, with most of the shots taken by hand held phone cameras. It chronicles the lead singer, who is singing towards the camera in different places in his apartment. Although it is not a narrative I could see being replicated on the Eurovision stage it does prove that the lead singer, Albert, has pretty good chemistry down the camera lens.

The song is a mid tempo electro pop song with a slight soul feel. The first verse is slightly more low key than the rest of the song which allows the song to build, albeit too slowly for my liking. The second verse has a much clearer beat which fits in better with the mood of the song. The chorus is the star of the show in this song. The tune is repeated over and over again as well as the phrase ‘friend of a friend of a friend of a friend’ at the start of each cycle and sometimes at the end too. The sequence is then repeated but as an instrumental. By the first time you hear it, it is totally stuck in your head although the actual words take longer to become embedded. In my opinion they could do with cutting down one, or both of the verses to possibly have an extra repetition on the sung chorus either after the first or second verses. The ending is a little curt but because of the electro style of the backing it doesn’t come across as too sudden.

Because of the way the Czech selection did, we see that this did equally well with the jury and online vote. With in international jury, mainly made up of past contestants, this came equal first and was second in the public vote. This might be seen as a slight negative but because we know that anybody around the world could vote in the selection this shows that overall this was liked, no matter where the votes came from. Although this was my favourite of the selection I am a little cautious of singing its praises. I think I will and a better gauge of how good they are when performed live and what show they decide to bring
The fact of the matter is Mikolas broke the glass ceiling for Czechia and to follow that is going to be a big job. This has a different vibe but a modern enough one to be a radio hit even if it doesn’t hit the higher placings at Eurovision. I’d love to see this qualify but if Europe is one again looking for something different and quirky, it could miss out.


ARTIST – Lake Malawi
SONG – Friend of a friend
MUSIC - Jan Steinsdoerfer, Maciej Mikolaj Trybulec, Albert Čern
LYRICS - Jan Steinsdoerfer, Maciej Mikolaj Trybulec, Albert Čern

Sunday, 27 January 2019

FRANCE

The French Final was held on January 26th at the Studios de France in Saint-Denis, Paris, hosted by Garou. Before the final there were 2 semi-finals where 4 songs qualified from each. The winner was chosen through a mix of international jury and televoting. Representing France this year is Bilal Hassani with “Roi” (King)

It has to be noted that the performance in the final was different to that of the semi. Re-imagining the show must have been tough in such a small space of time, so although it showed promise, there were many rough edges.
He is dressed in a black suit with heavily fringed silver epaulettes. He is also sporting his trademark glasses and beautiful blond shoulder length hair. He stands in front of a projection box which shows various video reels of Bilal as a child which are particularly cute! Most of the song he walks around the stage but also does a few dance moves after the chorus which works ok but does affect his voice. Halfway through he is joined by two female dancers which he occasionally joins in with. Their dancing is too jerky and seems to emphasise a beat which is not there. To my eyes and ears this makes the whole thing very disjointed and I think it needs something a bit more flowing but still as modern. Also the crown motif is very clever and simple.

The song is a mid tempo ballad which Bilal sings well but on the higher notes in the chorus his voice is a little bit thin. I start to wonder if the song could be taken down a tone/semitone to make the high notes more reachable? That said his voice and tone is easy to recognise. His pronunciation is lovely and it is easy to hear the switches in language from French to English and back again. The chorus has a very catchy repetitive structure and actually sounds great in both English and French. The last 30 seconds though is weak. The long high note isn’t Bilal’s strong point and could easily sound off on a bad day. I also think he needs to stick rigidly to the tune of the song and not go for harmonies, alternate melodies or too many runs and riffs. The song takes a few too many listens to get the gist of the story and meaning which is a shame.

The song was very big in the hall and with good reason, Bilal was on the Voice Kids a number of years ago and is quite a prominent youtuber in France with quite the following within the youth and LGBTQ community. This was further evidenced by his landslide win in the French televote (he got approx 35% of the public vote, second pace got just 15%) This support in the French speaking world is strong but the international vote did not go his way, coming only 5th and this is worrying. What did the international jury not get? Was it the language barrier, his lesser vocal control, the odd staging or something else…? Basically, Bilal needs to work hard at nailing the vocal and needs a team around him that will nail the visual show. The semi performance didn’t quite work, neither did the final. Pick one and whittle it down until it makes a fine point OR start again from scratch.
This will be a fan fave but I also suspect that without the right advice this will be the fan flop. France should be lucky that they don’t have to qualify because if they did, I think they would struggle. Not a winner.

ARTIST – Bilal Hassani
SONG – Roi (King)
MUSIC - Bilal Hassani, Madame Monsieur, Medeline
LYRICS - Bilal Hassani, Madame Monsieur, Medeline

Friday, 25 January 2019

SPAIN

The Spanish Final was held on January 20th at Parc Audiovisual de Catalunya in Terrassa, hosted by Roberto Leal. Before the final there was a jury and online vote to choose the songs to be sung in the gala. The winner, which was chosen solely by televoting, was Miki with “La Venda” (The blindfold).

The performance used almost every inch of the stage, and even started off in the audience. Following him almost every step of the way was a five piece female band with drums, trombones and accordions which not only powers the instrumentation of the song but also the fun party atmosphere. There are no real props and backing screen for this but I would imagine street scenes, streamers and balloons and dancing being a possibility if there is a video wall in Tel Aviv. I think the band works well and also frames the shots down the camera lens. I wonder though if some of the band will need to double up as backing singers or even be replaced by them.

The song starts off with a band and practically doesn’t stop. It is a Latino party song with hints of Mariachi but also tones of Ska and 2tone. The tempo is incredibly fast from beginning to end and is going to look amazing in the hall with everyone jumping and waving flags. The whole piece is a mass of repetition but in a way that does not get tiresome. The verses have quite curt and choppy lines which have the same repeating tune but with different words each time. The chorus is even more repetitive as it is shorter. Every line has the same tune and the 2 lines are repeated as many times as needed. The other upshot of this that the first verse/chorus turnaround takes just over one minute, including intro, which gives the song scope to grow. The ending is a little weak but as the song goes right up to the 3 minute mark there is not much room for manoeuvre, maybe they could beef the volume and brass sound up a bit to make it more of a triumphant ending? Miki’s singing is ok but this is a song all about enthusiasm and passion and energy

This song went down like a house on fire in the hall, possibly helped by the fact that Catalan Miki was performing in front of a supporting barcelonés crowd and that the accents and of the song are inspired by the rhythms of that region. That said, this song does have a certain something. It certainly has heart and passion and will certainly make its mark in the hall which I think will be translated through to the TV viewers. I also think if the Eurovision voting public are looking for a summery party song then this will be it. It will be interesting to see where this gets drawn in the running order as I think its placing could not so much make or break *its* chances but possibly effect the flow of the whole show. Get this drawn in the second half and it could be a brilliant show bookend!
Not sure that this is a winner but it is certainly a quirky memorable number that will make an impression and will certainly be remembered!


ARTIST – Miki
SONG – La Venda (The blindfold)
MUSIC - Adrià Salas
LYRICS - Adrià Salas

Sunday, 6 January 2019

ALBANIA

The Albanian Final was held on December 22nd at the Palace of Congress in Tirana, hosted by Viktor Zhusti & Ana Golja. Before the final there were two shows, where the 22 selected entries were performed with a full orchestra, then in ‘Eurovision form’ before being shorted to a final of 14. The winning entry, chosen solely by the jury, was "Ktheju tokës" (Return to the land) sung by Jonida Maliqi.

The song was presented slightly differently on the three different nights but I am going to concentrate on her final performance. Jonida is centre stage in a very striking large 80s style metallic dress which fits snugly down to her calves, The shiny fabric is nice but the colours and patterns make her look much bigger than she is. Her heavy bob hairstyle could be scraped back into a tight bun with statement jewellery to make a better and clearer presentation. She does not move very much from the spot and at times the stage, even with backing singers and orchestra behind her, feels empty. On the video wall behind her is a representation of a street scene, which is sometimes covered by a train passing and changing into a collage of street signs and traffic lights.

The song starts off with some echoing drumming, almost like a heartbeat. Jonida joins in although her words mirror the speed and rhythm of the drums. Her vocal production is also quite bassy and echoing. After the first part it starts to become a bit free form and lamenting and you start to wonder where this is going. The beat kicks in a little more during the chorus and there s also a little more in terms of tune here too. The changes in chords here are quite nice and offer a little more optimism although still in a minor key. After another short verse and another rendition of the chorus, the song ends in a kind of whimper which is a shame. I honestly think there is too much filler and groaning in the song which could be replaced by a reprise of the chorus or at least part of it. The song builds very slowly and I could find many casual watchers getting bored after the first 45 seconds.

Unlike many Albanian entries chosen via Festivali i Këngës, this song a feels a stage ahead of those gone before it. The rule change meaning songs were performed two different ways meant all involved have had to have an preparatory eye towards Eurovision before the national final rather than afterwards. This song still needs some improvements and some possible re-framing to make it more accessible and memorable to a wider audience. It is still a few seconds too long and the instrumental parts could be shortened, nay cut out, and more chorus put in to keep the tune firmly in your head.
This is very much a song for Albanians, in particular those ethnic Albanians who have left of their own volition or those who have fled due to conflict. In this context I can see that this song will very much appeal to the wide spread Albanian diaspora or to those sympathetic towards them. To everyone else this song, as it stands, is lacking a clear thread. If I had not read the lyrics before hand I would have no idea what the song was trying to interpret. Yes, the backdrop gives a sense of moving but not much else. During the second night of performances, 4 female dancers were also on stage which I think helped to interpret the song more visually and made the stage a little less bare.
A song for Albanians – but is it for the rest of Eurovision-land? It’s not a winner…


ARTIST – Jonida Maliqi
SONG – Ktheju tokës (Return to the land)
MUSIC - Eriona Rushiti
LYRICS - Eriona Rushiti


Monday, 31 December 2018

#strictlyeurovision part 2

In the lull between Strictly Come Dancing ending and Eurovision getting into gear I merge the two!

Over the past few weeks I have been carefully pairing up Strictly dance styles and Eurovision songs. I suggest a number of potential choices for all of the dances but select my favourite - the one I would probably like to dance the most - to play on the show. There are some quite obvious choices, some less so!

If you are a newbie to Eurovision there will be some songs you know but quite a few you won't, so see this as an entry level gateway to the world of Eurovision. If you *are* in the Eurovision fandom you may find some of my idea a little bit leftfield -which I am kind of known for - but I also try my very best to dis-spell my moniker as 'the one who hates Denmark' !!!

In this podcast we look at the following dance styles: Charleston, Samba, Salsa, Tango, Jive, Waltz and, last but not least, the Showdance !

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/StrictlyEurovision2


Click here to listen to this podcast in your usual music player (M3U Playlist)


Thursday, 27 December 2018

#strictlyeurovision part 1

In the lull between Strictly Come Dancing ending and Eurovision getting into gear I merge the two!

Over the past few weeks I have been carefully pairing up Strictly dance styles and Eurovision songs. I suggest a number of potential choices for all of the dances but select my favourite - the one I would probably like to dance the most - to play on the show. There are some quite obvious choices, some less so!

If you are a newbie to Eurovision there will be some songs you know but quite a few you won't, so see this as an entry level gateway to the world of Eurovision. If you *are* in the Eurovision fandom you may find some of my idea a little bit leftfield -which I am kind of known for - but I also try my very best to dis-spell my moniker as 'the one who hates Denmark' !!!

In this podcast we look at the following dance styles: Viennese Waltz, American Smooth, Cha Cha Cha, Foxtrot, Rumba, Argentine Tango, Quick Step and Paso Doble.

I shall be recording part 2 in the next couple of days so if you have any mini reviews or opinions of the pod then get them in soon so I can read some out ! The second podcast should be up around New Year's Eve :)

Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/StrictlyEurovision1


Click here to listen to this podcast in your usual music player (M3U Playlist)


Tuesday, 12 June 2018

RANDOMER


A few weeks ago I did a twitter thing where I shared some of the music I have on my spotify playlist. At the time I just posted photos of each track and artists that came up with little intro or meaning. In this blogpost I hope to, even if just a small sentence, give the song a background and how it fits in with my listening pleasures.

1) Against the wall by Jimi Tenor and Tony Allen
Jimi Tenor is a Finnish electronic artist whilst Tony Allen is the drummer extraordinaire who basically is the father figure of Afro beat percussion. He is otherwise known as the drummer who plays on Sebastien Tellier's "La Ritournelle"

2) Mon Svijet - Sergei Cetkovic
This was Montenegro's Eurovision entry in 2015. A well-built Balkan ballad that has a great crescendo. Second best entry to date.

3) Common People by Pulp
Who was best Oasis or Blur...? WRONG it was Pulp. Released in the height of my teens it still sings to my heartstrings

4) Get frighten by Lolita Zero
This was my spirit animal during National Final season for Eurovision in 2017 and in many ways it still devastates me that this never got chosen to go. Lithuania's winning song failed to qualify...

5) Real by Wolfsheim
German darkwave duo that are sadly no longer together. Their albums are full of amazing work, mostly in English but some German language work. The singer, Peter Heppner has gone onto some success as a guest vocalist on other tracks.

6) Auntie Maggie's Remedy by George Formby
What a northern hero. I remember watching the movie this came from "Turned out nice again" on the telly in my teens and finding this particular song hilarious, especially the line about ankles XD

7) Mensch by Herbert Grönemeyer
A classic song by a classic German artist. A huge star in the German music world but seems to have lived in London for as long as I can remember. Love the video too

8) O Superman by Laurie Anderson
If in doubt, stick on a bit of avant garde to calm the mind down. I think I've been listening to this for half my life and I still don't really know what this is or what it means - but frankly who cares!

9) The system only dreams in total darkness by The National
This is basically down to my husband who plays this pretty much every time we are the car and I have absorbed this by osmosis

10) Oblivion by Tenfold Rabbit
In 2012, this came 3rd in Eesti Laul, the Estonian Eurovision selection show. The song that won eventually came 6th in the final but STLL think this is better

11) Confusion !! by Cycle
I first heard this song whilst watching the San Fermin celebrations on TVE. Although the song contains many obscure English references, they are mostly Spanish!

12) Trees by Marty Casey and the Lovehammers
Marty Casey was second in the MTV show “Rock Star INXS” where the winner became the new lead singer of their band. Although he did not win, he honed this song in the process and was the best thing to com out of it.

13) Yambo by Salif Keita
This is an album track from his album M'Bemba. I think this one because of its repetitive lyrics and banjoesque feel of the opening instrument and also builds in an interesting way

14) River flows in you by Yiruma
Yiruma is a Korean pianist and composer many of his compositions can be found as background music in films and tv scores. It's the kind of music that sounds familiar but you don't really know it.

15) Jam by Michael Jackson
If you can think of a better Michael Jackson song then you are WRONG WRONG WRONG !!!

16) Cette femme est un heroes!!! by Alex Mansion
This Belgian artist can be found as the source of many hits since the 80s although most of them are under band names and pseudonyms. He also conducted Luxembourg's entry at Eurovision

17) Enga Fordoma (karaoke version) by Pollapönk
This Icelandic band sang a full English version of this at Eurovision in 2015 and they describe them selves as a 'child friendly punk band'

18) Morgens immer müde by Laing
This band came to prominence when they entered the Bundesvision Song Contest in 2012 coming second with this reworking of the song by comedy actress Trude Herr.

19) Caravan by Inspiral Carpets
In the realm of Brit Pop some bands predated the whole thing and almost started it off without even knowing. That is this lot - but with ruder t-shirts!

20) Jolibwa by Melissa Laveaux
I saw this performance recently on Later and loved the guitar work. It's deeply rooted in Afro beat but has that lackadaisical Caribbean feel at times

Friday, 11 May 2018

Final ideals

2 exciting semis down - now just the final to go...
Let it now be truly known that we really really REALLY do not have a clue as to what is going to win!

First of all, the running order has now been finalised and it is incredibly full-on, the second half in particular seems at a much higher pace than the second half, although the end of the running order as some surprisingly slow punctuations. This has dented a few hopes and dreams, most notably Spain who have been handed the dreaded number 2 spot - a from which no country has ever won. I am not going to indulge too much into the mechanics of this pseudo-science mainly because apart from the obvious favouritism spots, and the much hyped benefits of being in the second half, 4 of the last 5 ESC winners have actually been from the first half.

So, based my own personal opinions and preferences with a tiny bit of swaying from the live performances seen during the semi finals, fan participation in the hall and the general fan opinion on social media, here is my list of the 26 finalists.


Don't expect this to be the actual result - although that would be rather epic. From my list, I would say that Albania has almost no chance of winning and Denmark would be quite the shock, but after that any of the next 3 could be winners. Also, depending on demographic, the opera from Estonia or the modern metal from Hungary could be a sneaky benefactor. I get the feeling that the winner of the jury vote, which is done first, will not be the same as the televote winner. Depending on margins, this may or may not affect the placings but will make it a very close result.

One huge issue that may sway the voting is the question of where some of the 'friendly votes' will go? With the obliteration of some of the ex-Soviet countries - where will their televote go if their de facto first choice isn't there? Lithuania, Moldova and Ukraine are still standing and one must remember that Alexander Rybak is genetically Belarusian so they have to be seen as possibly exceeding in the phone votes. On a similar theme, the Greek diaspora vote will go straight to Cyprus and from ex-Yugoslavia Slovenia and Serbia should see a small boost.

All I hope is that it's a slick show, the performances are good and the voting is clear but also nail biting!

Monday, 7 May 2018

Ranking, wishlists and predictions

Blooming heck, this really is as clear as mud...

Now that the rehearsals are done it is fair to say that things have certainly got more complicated. Some songs that were borderline have now become sure fire contenders or fallen to the wayside. Conversely there are are couple of big hitters that have failed to hit the mark in rehearsals and don't look as sure as they once were. It's all got a wee bit muddled...

That said, I need to get this down so I have at least had my say...
So here is my 43 song ranking - I will post ANOTHER ranking list with just the 26 finalists on Friday night/Saturday morning:

This would make my personal qualifiers from each semi as follows

SF1
Albania  Czech Republic 
Estonia  Austria  Belgium
Lithuania  Cyprus
Israel  Finland  Ireland
SF2
Denmark  Ukraine  Serbia
Slovenia  Moldova
Georgia  Hungary  Norway 
San Marino  Australia 

That said, I  don't feel that either of this lists are going to be accurate when it comes to the actual votes.  The 100% records of Romania, Azerbaijan and Russia would be broken if my list were true and although I feel there is a good chance that one of the 3 will fail, I doubt at three will flunk, Other major nations like Sweden and Bulgaria, for me, miss out but I think they will both get through (as much as it pains me to say it!) In my lists I suspect that Albania, Austria and Belgium could be on the borderline in semi one whilst Slovenia, Australia and Georgia could go either way in semi two but I think my expectation of San Marino is a bridge too far! With this all said and done, if any of the performances fail to ignite during the jury final OR the live televoting final - it could be anybody's game and there *will* be some shock non-qualifiers.

Come back at the end of the week to get my ranking of the 26 finalists !


Thursday, 3 May 2018

Alternative lyrics

NORWAY
Step one - do a shit, and do it all day long
Step two - just roll in it that's how you make a pong


ISRAEL
I’m not your hen (not your hen)
I’m full of zen (full of zen)
I’ll lay an egg I’ll watch you boil it
Dip some soldiers now to the mother-dunking beat


CYPRUS
Cause I’m building up and it ain’t falling down – I’m building it higher
Ah yeah ah yeah ah yeah
Yeah ah yeah ah yeah
Cause I’m making up a boat and then a car - yeah I've got 4 tyres
Ah yeah ah yeah ah yeah
Yeah ah yeah ah yeah
Lego !


BULGARIA
So I love the traffic cones
Take pictures on our phones
Fill them all up with stones
I love the traffic cones


SWEDEN
Just wanna pi-pi-piss you off
So don’t you da-da-dare mess up
I just want to kill your mood
Make you throw up all your food
I will now, I will now


UNITED KINGDOM
Months are like September, October and November
Don't you dare forget December all these months oh oh, all the months oh oh