Saturday, February 04, 2017

FINLAND

The Finnish Final was held on January 28th at the Espoo Metro Areena in Espoo, hosted by Krista Siegfrids. The winner was chosen by 10 international juries (50%) and televoting & internet voting (50%) - the internet voting was held from December 31st-January 26th as well as during the broadcast of the final. Once all the votes were cast the winner was the duo Norma John with “Blackbird”.

This was a very stark looking presentation with Lasse sat at the side playing the piano and Leena in a very Victorian-style mourning dress. The lighting is very dark and the projection behind is that of choppy seas. As the song progresses, red lights strobe on and off like a blood-lit lighthouse. You are not quite sure if the song is going to progress to be happier or be sadder. The camera work is also very stark they alternate between tight head shots of the singer and sweeping long shots of the whole stage.

The song starts off with no introduction and puts a very immediate stamp on the stage. You start to also get a kind of Adele-esque feeling about the song although Leena’s voice is very different to Adele, even though she has been styled otherwise. There is not much ‘show’ as the story of the song IS the show. Between each verse and chorus there are very slight changes to the orchestration as the song goes on. However, the instrumental from Lasse at the piano at the 2-minute mark is truly magnificent and butterfly inducing and I only wish that this was a catalyst for the show, the instrumentation or background so that something could mirror this shift in the song.

Unlike Finnish finals of the past this one a one-night final with no heats or qualification rounds. The song quality was extremely variable and it was no surprise that this song won quite convincingly. In a contest which looks like it’s turning into a sea of ballads, this could be too dour. Although this was my favourite beforehand I was a little disappointed in the visual show. Personally, during the amazing piano solo it needs to change background or colour because it then starts to feel like it’s going on and on. I also feel a slight change of orchestration during the end chorus would make the ending more definite and more final.
This ws easily the best song in the show and I was very pleased that it won. I think that the song is very relatable to the general public but also shows enough singwriting and musical ability to be a hit with juries, To my eyes and ears this is a total Marmite song – you either love it or hate it. This will either flop spectacularly in the semi-final and not qualify or this will be top 3. Which one that will be is anyone’s guess.


ARTIST - Norma John
SONG - Blackbird
MUSIC - Lasse Piirainen, Leena Tirronen
LYRICS - Lasse Piirainen, Leena Tirronen


Friday, February 03, 2017

UNITED KINGDOM

The UK Final was held on January 27th at the Eventim Apollo in London, hosted by Mel Giedroyc. The winner was chosen by an "expert" jury (50%), televoting & internet voting (50%). After the scores were added up, only with winner was revealed at that was Lucie Jones singing “Never give up on you”

This was the most plainly set of all the song on the night. Lucie is on stage alone with a very dark background and with the spotlight focused on her. The camera is very much focused in on her upper half to try and keep the TV audience connected with the story of the song. Lucie also doesn’t do a lot on stage, which might not be a good show for the people in the hall, but the close-ups will sell the song better on TV.

The song starts off with just a piano backing and Lucie singing. It certainly captures your attention in a slightly curious way. The timing of the piano almost seems a bit off and makes you wonder what is going to happen next. The song seamlessly transitions from verse to chorus and the come down back into the verse is very plain and simple.  The bridge part going into the final chorus gets is a little shaky and the story of the song gets a little lost. Lucie also needs to mind her hands as they can look a bit claw-like and spindly. She also needs to turn down the smirk she sometimes has as it can come across as bit at odds to the words she’s singing or (even worse) look cocky and aggressive. Some better camera angles and more focused choreography might help this.
On first listen to the song I assumed that after a verse or two the song would ramp up into something more orchestral or even into a “Euphoria” type trance song. But this didn’t happen. At first this left me feeling disappointed and empty however after a while this ‘trick’ of not going where I thought it would factually felt quite clever. It kept me hanging on waiting or the change… but it didn’t.

For something sent as the UK Eurovision entry, this is a proper song which is taking things seriously. Although certainly not the favourite in the hall, I would say that it definitely stood out from the crowd vocally and visually. Many have said it has a similar vibe to Mollie’s song in 2014 but I think that the providence of this song will help it more in the voting – in case you missed it the song was co-written by Denmark’s winner in 2013 - Emmelie de Forest. Only a day after winning the contest, it was already mooted that changes might be made to the song. Many commented on social media that a bigger build up or more orchestral score might improve the song more, and these pretty much mirror my feelings.
It is very early days to be making a prediction but we do know that the UK need not qualify for the final. Also we seem to be heading towards a ballad heavy year. Depending on the way you look at it a) if lots of ballads qualify, this will blend in too much OR b) if lots of ballads DNQ this *would* stand out. At best I think it’ll be at the top of the right hand side of the board. If it can score more than 150 points, it should be deemed a great success.

ARTIST - Lucie Jones
SONG - Never give up on you
MUSIC - Emmelie de Forest, Lawrie Martin, The Treatment
LYRICS - Emmelie de Forest, Lawrie Martin, The Treatment


Thursday, February 02, 2017

EUROVISION YOU DECIDE

Whatta looooooooooong weekend!!!
To go through every detail of my journey would probably be a bit TMI but I will try and keep it brief-ish and keep to the main points. I left work, as I normally do, at 12.15 but that is where the normality of my Friday ended. Instead of collecting baby from the childminder, I waited by the car for my husband – he was picking Marcus up instead and needed the car seat from me. I then went to the bus stop and caught a bus into Bath. After a small walk around town and a bit of food I got the quite-packed train to Paddington. The very British way of people shuffling about in seats because people were sitting in other’s reservations is always a bit of a laugh. Right on time I arrived in the big smoke and made my way towards the tube. Now I made a bit of a mess of this as I started following the signage for ONE tube line then decided to follow the signs for a different one. This then meant that I ended up doing a full loop of the place without seeing a train… Once I worked out what I had done I found the Hammersmith and City line tube and made my way.

Then I had a short walk to the hotel. The hotel was just fine, I am sure I could have found many a fault with it but I am just not a fussy person! I always get a bit nervous when it comes to checking into places like this as I always fear I will have got something wrong or be turned away (although such a thing has NEVER happened!) The room was small but practical enough for a person by themselves staying for a night. Got in the door and started stuffing the pockets of my rucksack full of all the free stuff XD After a brief rest and a costume change I ventured out into Hammersmith.

Then I met up with some of my friends, almost all I had actually never met in person before but only contacted them through online platforms. As the evening progressed I met lets of different people whose pictures and profiles I’ve seen online. Although I might not have been introduced explicitly to loads of people it was really nice seeing faces I recognised (the probability of people recognising me was probably very low!!) Although I was meeting people for the same time I felt like I knew so many of them so well. I had been told that ESC events were really great things ad that the fans are really nice people – and now I can actually say this is true.

On a slight tangent I’d really like to talk about the Hammersmith Apollo itself. First of all is a beautiful grand building inside and out although there is one slight problem about the outside  - THE GREAT BIG FLYOVER STUCK RIGH IN FRONT OF IT!!!!! I loved all the Art Deco features and although the inside looked lime green from the inside it was more of a mint/apple green which was much more tasteful. There were some lovely light features in the auditorium which were also highlighted during the show.

So let’s get on with the actual night.
When we got there Scott Mills was doing a Q&A session with Jon Ola Sand (the man in charge of the European Broadcasting Union), Alexander Rybak (winner for Norway in 2009) and Nikki (half of the Azeri winning act in 2011) Now I could have stayed and watched but I needed the loo… However I did take a few piccies.
(PLEASE NOTE – this was the camera on my new phone that I have only had for a couple of weeks and so they are not *brilliant* quality)

We then got into the auditorium and found a spot near the back which although far from the stage had a pretty decent view. The warm up guy was doing well trying to whip up a frenzy, however making everyone sing “One step out of time” *punch punch* is not exactly the best… That said, the introduction of Mel and the judges got the audience well fizzed up. Eurovision classics filled the air such as ”Save all your kisses for me” “Making your mind up” “Puppet on a String” and “Diva” (although disappointingly the English version – I can only sing it in the original Hebrew!) The show started promptly at 7.30pm although the intro had been pre-recorded a few minutes earlier. I felt that the show (at least in the hall) was well run and we thought through. It was nice seeing at the bits that you |don’t see when the camera if focused somewhere else.

The show then started with a bang with this guy....


Oh my word he was good! Part of me was really honoured to see him perform in the flesh and you can really tell thathe is a quality performer. It would be a real shame if we never saw him again either as a singer and/or songwriter in Eurovision again.That will be a performance I will hold i my hert for a verylong time. After all the introductions were done and dusted it was finally time to get on with the show!

Another slight tangent here – after I had heard the songs on Radio 2 I has the overall feeling that 1) these were not bad songs but 2) they sounded very over-produced and flat. This lead me to hoping that seeing them in the flesh would sway me one way or the other.
As it turned out – this was the case… but not always in the ways I had expected

1)      I wish I loved you more – this visually looked stunning in the hall wth the black and gold background. I also liked the choreography of the backing singers. However Holly absolutely smashed it vocally in the hall.
2)      Light up the world – He sounded very weak at the start and didnlt get better. Danyl did the Basim poopy step dance which is never a good look. A good group effort in the flesh but a bit cheesy for me and ESC.
3)      I will never give up on you – this looked very odd on a big stage with her being alone on stage and little movement but was atmospheric and you could hear a pin drop. She also filled the place with her voice.
4)      Freedom Hearts – the place literally buzzed as the bass thundered through you. She looked a bit awkward choreographcally and was dressed like a slutty Selma. The flag waving at the end started far too late.
5)      What are we made of – felt like a bit of a come down after the previous songs. Looked and felt very empty and although his voice was strong. Although I liked the song beforehand the 1st verse went on far too long.
6)      I don’t wanna fight – this was very much the crowd fave and got cheers throughout. She looked a bit messy and the Frank Spencer backing didn’t help. I couldn't tell you how good she was at the time due to all the shouting!

In fact, the show flowed really well until the interval acts started. The Vamps were pretty good although I am guessing I was not the only one in the audience wondering what the hell they were doing there. I really enjoyed the reprise of “Love, Love Peace, Peace” which they showed on the big screen although this was possibly down to the fact the crowd in the hall went absolutely bonkers. How I wished they had shown the replay from the theatre’s point of view. It felt so alive! Possibly the nearest I will ever get to seeing Mans and/or Petra on a Eurovision stage.






The actual result was so very stressful – the pause before the announcement seemed to go on forever! For me the right person and right song won. It was my fave beforehand so was really pleased to see it get through. Needless to say I was a little bit shocked. Firstly because the crowd reaction made me thing that Salena was going to win but secondly (and I don’t know if you could pick up this from home) but once the result was announced people started booing. Now, don’t get me wrong – I’m one who like a good boo, and I would even encourage ’political booing’. Hhowever there was nothing that this girl had done or said to give cause for others to boo. BOO TO YOU :P


After the show was done, we went to the Hop Poles pub where the room upstairs had been reserved as an ESC after party venue. Ohhhhhhhh it was sooooooo good. It was like a dream. I was singing and dancing along with my faves (and even some of my non-faves) and it was really great being in the presence of people who felt the same way as me. I often think about doing things like karaoke but most of the songs I would want tossing would be ‘obscure Eurovision songs’ and they’d never be on the list. In that moment I was belting my heart out to so many choooons…. It was a bit like a primal scream but in friendlier song form…. But it had been a long day having been up since just before 6am and I got pretty knackered fairly quickly and finally got back to my hotel around 11pm.

After a quick shower, a bit of fried food, a few nice drinks and Channel 4 +1 I finally got to bed…. Not that I slept well. Not so much because the bed was awful, more that fcat that my head was buzzing and I was very aware that I was in a different room PLUS my feet were throbbing XD I ended up getting up about 6.30am and watching Cbeebies. Baby or no baby, old habits die hard! I then got changed and went to breakfast around 8am. Although the food was nothing special I was kept entertained by the TV showing news on BBC One. The ‘tough talking’ of Trump and his cronies, especially regarding the travel bans seemed s at odds with the environment I was in. Most of the staff were Eastern European or of sub-continental background, a few of the guests had Australian accents and the shops up and down the street reflected a wide range of countries and cultures. If there was ever a moment when one could fully understand that that man was talking complete bollocks – this was it.

After breakfast, I decided to leave my stuff at the hotel and have a walk up and down the main street. Everything was still closed, apart from a few food/eatery places, the traffic was very light and not many people about. I took my camera with me and took some pics of the local place names, sights and signs. It was nice to get out in London whilst not so busy, it can be quite a stifling place when it is in full gear.





My plan from here on in was a little sketchy – all I knew was that I had to be in Paddington by just before 2pm. I checked out of the hotel at 10am and walked down towards the Apollo by this time most of the shops were now opened. I went to the German ‘Bäkehaus” and go the husband a back of pretzels then popped into a number of charity shops where I found a small Miffy lunchbox that I could give to Marcus. After that I  then did small pilgrimage to site I has googled the previous evening. For those of you confused by the reference this the site of the bench used tin the opening credits of “Bottom”. The original bench was moved many years ago but after Rik Mayall’s death a replacement was produced and installed in his memory.




I then went to have a look around the small shopping centre next to the tram station. It was here I would see something that literally knocked me for six.



HEMA…IN THE UK...I WAS STANDING NEXT TO A...HEMA

To the general public going about their daily business, I probably looked like I was having some kid of mental break down or just been told some awful news, I stood outside the shop and literally cried in a mildly panicked fashion. I even phoned my husband in an effort to calm myself down – and discuss a shopping list XD I walked out with a huge bag of stuff. I could have spent 3,4,5 times as much but heaving it all around London AND get on the train AND the bus was never going to be a good move. After that I then got a bus northwards for another pilgrimage site… You either get it or you don’t…


I then got the bus to Paddington and got myself some take away fayre (as well as using their toilets!). As it was far too early to wait around in the station itself I walked up the road to Merchant Square and the Paddington Basin. I would imagine that on a weekday this place is filed with business types but at the weekend it seemed a world away from the inner city. It was also nice to see so many canal boats here. In fact although I knew this place existed I never knew the canal was here. I would imagine long walks up and down it are lovely in the summer.



And so the time came to board the train. Although all the seats had reservation tickets on it, barely any of them in our carriage were actually used. Once at Bath, I walked the few metres to the bus station, got the bus back to Peasedown where I had left the car and drove straight home.

And then I because plain old mummy again. Oh don't get me wong I missed my husband and my little boy greatly but I guess until you push yourself and test the boundaries one never knows how far you can go. I missed them, but I was so busy and in an odd kind of way it was nice to be Ann "The Eurovision Fan" rather than Ann - the woman what works at school or Ann - the mummy and wife. It just feltso free to be doing things that I genuinely love and for someone who feel like I have very few close friends I felt like I was surrounded by allies and fellow followers of the cause. I did make me feel a bit silly that I was nervous and apprehensive before hand.

I just want t say a BIG thank you to everybody I saw and met last weekend - you made that day so special to me. I am going to try to make sure that this is NOT my last Eurovision event although may be my only event of this year. If the BBC decide to have another UK national final I will try my hardest to be there and if Eurovision even winds its way to these shores I will try to make the leap.
It is a distant memory now.... but a very treasured one x


Sunday, January 22, 2017

BELARUS

The Belarussian Final was held on January 20th at BTRC Studio 600 Metrov in Minsk, hosted by Olga Ryzhikova & Teo. The winner was chosen by televoting (50%) & an "expert" jury (50%).  Once the votes were added together, the winning act was the duo NAVI singing “Historyja majho Ĺľyccia” (The story of my life).

The setting of the song is very simple. Arciom and Ksienija perform the song is a very free way. Arciom plays his guitar whist Ksienija does her best in inviting the audience to join in or copy her twisty choreography. They are also dressed quite simply which helps them give their all. In some ways it is slightly reminiscent of Lithuania’s duet in 2015. Although they don’t interact a lot with each other they feel like a definite unit. The background is made up of flashing lights and kaleidoscopic symbols and colours which gives it a great spirit and identity. This is also the first Eurovision entry selected by Belarus in Belarussian.

The song gets into its rhythm quickly – and doesn’t stop. They start away from the microphones moving and turning before going into one of the song's many earworms. The song is structured very cleverly. The verses and choruses are short and lend themselves to lots of repetition. The chorus itself is also well structured. Although there are lots of words, there are not many notes and the tune of each line are very similar. My main critsim is that that I would prefer another rendition of the chorus near the end raher than a whole 30 seconds of  'hey-hey, aj-ja-ja-ja"
Considering that not much actually happens, in terms of stage craft and choreography, it is a very intriguing entry. And although not in English, the use of “Historyja” as the first word in the chorus is very clever and hooks non-speakers in as it is a word that can be translated or sounds very similar in different European languages.. The duo are also masters are conveying the meaning of the song through their facial expression and body language.

This is a happy, fun and catchy song performed with such gusto. I can imagine this getting a rapturous reception at Eurovision. It’s not exactly a dancey song but I could imagine the hall waving their flags clapping in time and joining in with the hey-heys and the fist pumping. Now it must be noted that this song did not do that well with the televoting public and won dthanks to full marks from the juries. Usually this would be a negative but a) Belarussian televoting results have never been failsafe and b) this song probably has a better following outside of Belarus. I think it safe to say that this is already becoming a bit of a fan favourite. The fact that the song is not in English is a huge positive. The song reflects a culture and changing it to English would change the whole act (This said I might not be averse to a final chorus being placed into English as long as the words really fit)
I think that many of Belarus’s cultural neighbours will lap this up but will also be very memorable because is feels rooted in an ethnic folk culture. I really hope that this song qualifies. Jamala’s win last year proved that culturally ethnic songs can do well but this song is the antithesis of 1944 in subject and emotion. Maybe this is exactly what Eurovision needs.


ARTIST - NAVI
SONG -Historyja majho Ĺľyccia (The story of my life).
MUSIC - Arciom Lukjanienka
LYRICS - Arciom Lukjanienka


Saturday, January 21, 2017

GEORGIA

The Georgian Final was held on January 20th at the Philharmonic Concert Hall in Tbilisi. The final consisted of 25 acts. Once all the songs were performed the top 5 were announced. The winner was decided by a combination of international jury (70%) & televoting (30%).The winning act was Tako Gachechiladze with her self-penned number “Keep the faith”

The setting of the song is reminiscent of Conchita Wurst, and she also wears a similar dress – although even that has its surprises. The background is blank for the first part of the song but then springs into life projecting photos and videos of war zones and past and future newspaper headlines. This has the effect of making it more memorable but also pulling the heartstrings of the Georgian public. (NOTE – Tako was a member of Stephane and 3G which was ‘banned' from ESC 2009 for its political play on words “We don’t wanna put in”)

The song starts off quite timidly and shows Tako off as having a Mariah Carey-esque vocal range and ability. It has echoes of a more traditional, almost old-school type Eurovision entry but has a lot more power and sass that would've been expetced. The song is powerful and dynamic for a ballad but relies very heavily on backing vocalists in the chorus. The last minute is rather epic with multiple key changes, a ‘we will rock you’ hand-clap style chorus AND the spectacle of her dress suddenly lighting up like neon veins. Although this ends on a great high it then makes you feel like the first two minutes is very badly structured and therefore wasted. I would suggest that more is made of the clapping parts –  simple and effective audience participation would look and sound amazing – and that the crescendo to the ending was more powerful.

This was possibly the best of a thin, if not diverse, national final. Tako is a very good singer and has an interesting look and voice. She wrote the song herself so you can tell she has a personal relationship with it and utilises her range perfectly. The whole thing really requires an up-vamp and is in serious need of some production values to make it a truly professional package. One may be tempted to say that as G:son has had a hand in a couple of the last Georgian entries his magic wand would work wonders on this dramatic, almost schlager-esque, ballad.
As it is, I think it would probably scrape through a semi-final but with a decent revamp this should be a sure-fire qualifier (Georgia have only failed to qualify once in their Eurovision history). Not much needs to be done to the lyrics but may need a cut down in some areas and elongating in others. Hopefuly they will leave Tako alone, provide her with a properly orchestrated backing track, some top notch backing singers and backdrop that provides drama and meaning without being too provocative. 


ARTIST - Tako Gachechiladze
SONG – Keep the Faith
MUSIC - Tako Gachechiladze
LYRICS - Tako Gachechiladze


Friday, January 20, 2017

170120

Happy New Year to you all.

This first podcast of the new year looks forward to the national final dates to come as well as looking back over the news, gossip and SKANDAAAAAAAL that has rocked the Eurovision world over the past few weeks. There is a a lot to catch up on, so I apologise if it goes on a bit!

In particular I look towards to my very first Eurovision event, "Eurovision You Decide" and a little shoutout to anybody going !

Music this week comes from Monaco and Estonia.

So, you can follow all the fun and games on twitter at https://www.twitter.com/ESCarmchair  
or like our facebook page at https://www.facebook.com/ESCarmchair

You can download or listen to the latest podcast here - https://archive.org/details/escarmchair-170120

Click here to listen to this podcast in your usual music player (M3U Playlist)

Thursday, December 29, 2016

RIP 2016

As an end of year 'wrap up' I've decided to take the sombre way out and take time to remember those Eurovision stars who have departed this earth in 2016. Not necessarily Eurovision acts or artists but those associated with the great show in many different ways...

There are probably more people I could have included but these were certainly the people I wanted to celebrate at this time. Maybe next year, I'll have to make a more detailed note to make this an 'end of year tradition' - as sad as it is. They are gone, but certainly not forgotten


Wishing you all thebest in 2017 x

So, you can follow the latest news, opinions and blog updates by following the site on twitter at https://www.twitter.com/ESCarmchair or you can like our facebook page at https://www.facebook.com/ESCarmchair

You can download or listen to the latest podcast here - https://archive.org/details/ESC-RIP-2016

Click here to listen to this podcast in your usual music player (M3U Playlist)

ALBANIA

The Albanian final was held on the 23d December at the Palace of Congress in Tirana, hosted by Ledina Çelo & Kasem Hoxha. Before the final there were 2 semi-finals where the long list of 24 was reduced to a final of 12. For the first time ever in Festivali i KĂ«ngĂ«s history, the winner was chosen by a combination of an expert jury and online voting. The winning act was Lindita Halimi singing the song “BotĂ«” (World)

The setting of the song is very simple with Lindita alone on the stage. The song is backing singer heavy but they may be shoved to the side-lines to concentrate on the main singer. She is very eye-catching with her small stature, long claw-like nails, beautiful flowing hair and gapped-toothed grin – all of which give her character and make her seem very likeable but also vulnerable. During the semi-final, she wore a tight fitting sparkly flesh coloured cat suit which did not suit her frame. Her dress in the final was classier and more tasteful but looked far too long on her and did not seem to suit her movement as a singer. I would suggest some time and effort be taken to dress her in something more suitable AND to work on her performance craft to the camera.

The song has an interesting introduction with some slightly unusual chord sequences. It starts off quite minimal but grows quickly but proceeds to do little else after the first chorus. She is very passionate during the song and gestures a lot which, if choreographed correctly and directed toward the camera, would be very effective. However, a lot of the song involves a lot of oooooh-ing and aaaaaaaaah-ing and doing vocal gymnastics which a) doesn’t sound nice and b) seems a total waste of time. The ending is a little abrupt, has no build up and there are no clues to suggest that the end is coming soon.

As ever with Festivali i KĂ«ngĂ«s, songs are performed in Albanian but also with an extensive orchestra and an array of backing singers. This has usually meant that songs have undergone an extensive transformation by the time it gets to Eurovision. Therefore, judging this song as is, is a little unfair. All we do know is that it will be performed in English in May. However what is in her favour is that the song is few seconds under the 3-minute mark and so not much will be done structurally to make the song eligible for the contest. The instrumentals need to have more light and shade - more drama - which will hopefully be mirrored in the reworked lyrics. I think this is an OK song but needs a lot of work in terms of performance and stagecraft. Her voice is good but she needs more actual lyrics and meaning - not constant warbling. Putting into English will be a good move if they don’t mess around too much with the current structure of the song.


ARTIST - Lindita
SONG - Botë (World)
MUSIC - Klodian Qafoku
LYRICS - Gerald Xhari


Friday, December 16, 2016

161216

Happy Christmas everybody!!!!

But even at this festive time of year, there is much  'Eurovisioning' to be done - in fact, our first nation final will be happening next week! It's a long way until the end of March!!!!!

In this episode I run down the dates of the known NFs then take a look at some of the people trying to make a name for themselves - or another go at Eurovision - and by golly there are quite a few!
I also get to share some very exciting news about the United Kingdon NF that is happening at the end of January :)

Music comes from France and Italy


So, you can follow all the fun and games on twitter at https://www.twitter.com/ESCarmchair  
or like our facebook page at https://www.facebook.com/ESCarmchair

You can download or listen to the latest podcast here - https://archive.org/details/escarmchair-161216

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Saturday, November 19, 2016

jESC preview

On Sunday 20th November, the annual Junior Eurovision is being held in Malta!

The contest has been going since 2003 and it is fair ro say that the contest has gone through its share of rule changes (for better AND for worse). In ths podcast, I play a couple of my fave songs from the past as well as very potted review of the songs we have this year - all 17 of them !!!

Hopefully I will get back on track soon enough, as the preparations of the main contest in May are already underway.

So, you can follow all the fun and games on twitter at https://www.twitter.com/ESCarmchair  
or like our facebook page at https://www.facebook.com/ESCarmchair

You can download or listen to the latest podcast here - https://archive.org/details/escarmchair161118

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