Sunday, 23 March 2014

2014 RANKINGS

1) AUSTRIA
Adele and James Bond's loss is Eurovision's gain. This song has been a revelation. I was hoping for an up-tempo number but this song has so much attitude and verve but also brings out the feistiness of Conchita. She will sell this and sing this with passion - I just know it won't get the votes it deserves.

2) MALTA
This is a grower. Although I didn't think that much of it during preselection, it has slowly crept up the rankings. However I must admit that the video is just STUNNING  and gives an extra dimension to the song's meaning. The singers in Firelight are so harmonious and technically on point.

3) HUNGARY
A slow song with dubstep choruses really but importantly the words reflect the tempo. A great song that also contains a serious message on the subject of domestic violence - something portrayed in his performance, Kallay-Saunders has a great voice but will need to work on his camera presence to sell it.

4) MONTENEGRO
Initially, you may be mistaken that this was the Irish entry. This slow rhythmical ballad in the local tongue won't be easy to understand, which will lose it votes, but the tune of the song is stunning - as is the wonderful touristy video! Sergej will hopefully make this the country's first final qualification!

5) GREECE
Not a whiff of balalaika or souk to be heard! A fantastic retro dance song with the odd sample of Balkan-esque trumpets. Although rapping at Eurovision is not the best thing to do, it contrasts with the repetitive choruses. Freaky Fortune & Riskykidd need to make sure the country can afford to win first.

6) FRANCE
This is a great summery dance tune with a great sense of fun and rhythm. Although it is mostly in French the song there is more emphasis on the rhythm than the lyrics of the song. With a bit of thought this could be a really visual number with TwinTwin's individual sense of styling.

7) LITHUANIA
This has the best intro this year and sets out the stall of the song straight away. The verses are simplistic but the bridge is quite special and choruses are really punchy and memorable. The dancing always works well. Vilija has a great personality but needs to make sure the story of the song comes through.

8) BELGIUM
This is a very sweet yet also dramatic ballad. The song really grows and the live versions, although not perfect, have always been better than the recorded version. But Axel needs to watch his French accent. Just a shame the Axel's stylists has dressed him up as the "Go Compare" man.

9)  ROMANIA
This is the typical mixed tempo Eurovision fayre that we would expect to find in the contest. The chorus is ear catching and has lots of different beats to it. Paul and Ovi are returners to the contest and know how this thing works. Paula's note near the end is quite literally a miracle!

10) NORWAY
This year's "Birds". This emotionally driven song will speak to all even if they don't understand English. It is quiet and unassuming which will make it stand out among all the busyness. Carl Epsen's voice is even more surprising when you seen he is a rather butch, tattooed ginger.

11) ISRAEL
A really modern contemporary song that would not feel out of place on the playlists of Heart (not so much a good thing)  the chorus is really memorable and the song have a very sinister dark feeling. Mei has a fantastically velvety rock-edged voice and should put on a really good show.

12) UNITED KINGDOM
For the first time in a while, the UK has taken the contest and bit more seriously or at least treated it with some respect. This thumping song has a great progression and a chanting quality to it. Molly has also proved she can sing this live, which gives me great confidence in a good finish.

13) ARMENIA
What starts off a slow ballad turns into an angry, shouty rant. This is a very individual song and will stand out a mile with its dark mood and dubstep backing track. Still, the fact that Aram MP3 did not sing this live during the presentation show bugs me and makes me doubt he can do this properly live.

14) FYR MACEDONIA
A modern dance number with lots of instrumental parts. This song has grown on me over the weeks and feel that choosing the song in English was ultimately the best choice. Tijana has an interesting look and an even more interesting voice - hopefully her deep tones will entice the voters!

15) SWITZERLAND
Singing, fiddling and whistling - all in one song! The whistling motif is infectious, catchy and language beating! Sebalter is not the best singer, doesn't have the best pronunciation but he knows how to work a camera. Let's hope he stays in time with the music all the way through.

16) IRELAND
Another typical Irish uptempo song with fiddle and dancers to boot. The chorus is anthemic and the start is also strong. The verses and bridge don't sit quite as well. The backing track needs more oomph and beat to keep it driving on. Kasey is a good singer but needs to put on a show.

17) ICELAND
The song sounds like a theme tune to a 1990's CBBC show. The singers work well together and the main singer does well during all the stutter parts. The outfits are really memorable and the dad dancing is quite funny. If only Pollapönk had kept this in Icelandic it'd be in my top 5.

18) SAN MARINO
This Siegel penned song is a whimsical, thoughtful ballad which suits Valentina's jazzy voice. The title is very prominent and memorable but it may have been better to have something in Italian again. Hopefully she will having something visual to go with it. Will this be 3rd time lucky for Valentina?

19) POLAND
This song has been a huge hit in its homeland and the video has been a viral hit on youtube. Although in Polish, the song has an unmistakable rhythm, is really repetitive and gets you clapping along. Not sure if Donatan and Cleo are a little too in your face and urban for Eurovision...

20) GERMANY
This is a song that is quite literally a mix of everything so much that it almost sounds like nothing. Part oompah band, part folk, part Slavic, part klezmer and should appeal to many people. It has a good beat, a memorable chorus, and the lead singer of Elaiza has a distinctive tone and range.

21) PORTUGAL
This is a real party/carnival song with hints of Lambada, Ricky Martin and Jennifer Lopez about it. With a energetic and colourful stage show this could do much better. The chorus is very memorable and singalongable even in Portuguese. However, Suzy needs to be more energetic on stage.

22) SPAIN
This is a typical Spanish ballad which goes far too over the top. The chorus is memorable but it takes to long to get there and too long to get to the dramatic ending. Although Ruth Lorenzo is known to UK viewers this may fall flat elsewhere as they run from their TVs due to the size of her mouth.

23) FINLAND
I would say this was the only rock song in the contest although more in the style of Brit Pop than Lordi. The song has weak verses although the chorus is very chanty. The mid section clap-along 'oh-oh-oh' bit gets you clapping and singing along. Softengine may find themselves low on the scoreboard.

24) ESTONIA
Very much inspired by Loreen's "Euphoria" in terms of musical style and from that view it is a little predictable. The tune of the song is quite good but the lyrics don't quite make sense to me.  However the performance is quite a sight to behold as Tanja's dance routine out-Loreen's Loreen.

25) DENMARK
The title holders look to win again with this Motown number. The song is radio friendly and modern and his voice is very ear catching. However it's all a little bit knowing, smug and self assured. The dancers are also really annoying and over the top. Basim is less Bruno Mars, more Bruno Uranus.

26) LATVIA
The underdog of Eurovision. The song is a very simplistic ditty obviously written about the lead singer's admiration of The Great British Bake Off (is there a Latvian version..?) Intensely annoying/catchy/earwormy. Aarzemnieki will, whatever the result, bring some fun to the proceedings.

27) MOLDOVA
A typical Moldovan song - a big belter of a ballad with a dubstep breakdown. Goes a bit too high in the chorus. The staging was quite something in the national finals with funny mirrors, scarves attached to drones controlled by dancing Mongol soldiers. But Cristina has *THE* dress of the contest.

29) UKRAINE
After numerous remixes and rewrites we have a final version which is akin to mid-tempo '70s guitar led disco. The intro is too long, the key is too high and the ending too abrupt. It's a weak tune with even more unintelligible lyrics. Not quite sure if Mariya can actually pull this version off live.

30) AZERBAIJAN
At least there will be no annoying man in a box this year... A slow dramatic ballad with ethnic tones. A song you can listen to but not sing to. Sounds like a song from a movie that doesn't work outside the movie. If you can understand a word Dilara says then you're obviously a fan of Norman Collier.

31) GEORGIA
The most individual song of the year and is quite the assault on the senses. Not the most singalongable of songs but this is true to The Shin's musical style.  Just when you've got your head around the oddly chorded yodeling it goes into a proper song. Not sure if this is SEN or gifted & talented...

32) SLOVENIA
An odd dual language song that doesn't really progress very from start to finish. The stage act during the national final was a bit too staged for my liking. This is not a bad song - just a boring one. Tinkara plays the flute on stage however whacking someone on the head with it may give better entertainment value.

33) NETHERLANDS
An anti climax from last year's 9th place. This quiet country song is a bit too quiet and a bit too country for my taste. It starts and keeps on going with no ebb or flow, peaks and troughs. Although the Common Linnets are well known in their home country, this style won't be translating into votes.

34) ALBANIA
This *was* a nice song when sung in Albanian and with a in your face intro that made it almost 4 minutes long. Now it sounds unintelligible, forced, fake and odd. The tune if you can get past the weirdness is half decent. Plus, Herci has been turned into "Little Miss Emo" and it doesn't suit her.

35) ITALY
Not quite sure what all the fuss is about this song. For the most part is looks messy and sounds even messier. The verses are really forgetful and the choruses sound like Emma is having a slanging match with the other instruments. This is Eurovision, not a crowd surfing convention or fashion show.

36) SWEDEN
I really do not get this song. Not only is the tune similar to a dog's whine but some of the lyrics are an abomination of the English language. It is a very slow winy number which actually doesn't have that much of a positive message. The mid-20s Sanna looks more like a desperate menopausal cougar.

37) RUSSIA
It is not often I can hear a Eurovision song five times and have NO recollection of it whatsoever. This is a very weak and half-hearted entry from a country that normally finds itself in the top 10 on a regular basis. The Tolmachevy Twins may have won Junior Eurovision, but they won't be doing the double. 

Wednesday, 19 March 2014

2014/10

So... this is it... all 37 songs have been heard!!!

In a jam packed week we've seen a lot of rush of Eurovision action!
We had finals in Greece, Germany, Norway, Moldova, Portugal and Belgium, plus song presentations from Georgia, San Marino, Armenia, Azerbaijan... but also two very late declarations from Austria and Russia.

There was also the EBU meeting on Monday which saw them provisionally set Eurovision for 2015 as well as draw Denmark's place in the final.
Finally I take a brief look at some of the official videos that have been released of the entries - needless to say I'd probably go back to Switzerland if Sebalter was in charge of my hotel!!!

In non-Eurovision news you learn about my leg trouble and my head trouble (possibly a little bit TMI!)
You can sponsor me for Sport relief here - http://my.sportrelief.com/sponsor/annsquires

Music from Georgia, Romania and Spain as well as a fond farewell to Jean Valee from Belgium.
Follow us on twitter at https://www.twitter.com/DVVHolland
or like our facebook page at https://www.facebook.com/DVVHolland to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

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https://archive.org/details/DVVH140319Recap010

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RUSSIA

The Russian entry was revealed on March 19th. Rossija 1 initially planned national final in March called Kto? (Who). However this was postponed until after the Sotchi Olympics. It was then announced that they had scrapped this selection procedure and were now looking at an internal selection. With just a week to go, they announced that the 2006 Junior Eurovision winners, The Tolmachevy Sisters would be going to Copenhagen. The song they are singing is "Shine"

The presentation is the studio version of the song over what feels like a very rushed and/or cheap video. The video is a mashed together selection of the twins' pictures since their success in Junior Eurovision. Ironically the video also contains subtitles - is this a subliminal message that maybe you can't understand what they are saying?

This is not a live performance which is a shame as I always like to see how voices sound under pressure. You also have the added influence of having two voices which sound very similar. I would guess that the girls will sing the song with little fuss in the middle of the stage, possibly singing to each other with 4 backing singers off to one side.

The song is a mid tempo song with a rocky chorus. The girls sing the song together, initially singing the same tune and then shining in harmony, both of which could show up any flaws. Their voices are quite low in the mix in the song which sounds quite odd. Their pronunciation is OK. the instrumental is odd as the voices doing the vocal gymnastic doesn't sound like them at all.

I have many issues with this song. Firstly it's not a strong song or melody and I think it may well get lost amongst the emotional ballads and strong beats of semi-final one. I also predict that the song won't have a string visual aspect either. Added to this that there voices (at least in this version) seem very small and weak and I seriously wonder it they have the power to carry off the song live. Finally, I feel that the emotions of the crowd will mean this will get a very poor reception.

One also has to bear in mind the political situation Russia is in at the moment. I suspect that although the juries may judge this song fairly, many of the televoters will not. They twins may well ahve won Junior Eurovision but there will be no repeat in proper ESC. Normally I would say that as it is Russia, they will qualify. I feel this *may just* qualify and bomb in the final but I would be very happy to see this very DNQ. I know that Eurovision should not be used for political protests but I think this would be a very public platform for Russia to see what other countries think of them.
I hope the girls know what they've let themselves in for and their presence may not be warmly welcomed...

Artist - Tolmachevy Sisters
Song - Shine
Music - Philipp Kirkorov, Dimitris Kontopoulos
Lyrics - John Ballad, Ralph Charlie, Gerard James Borg


Tuesday, 18 March 2014

AUSTRIA

The Austrian entry was revealed on March 18th firstly on the radio station Ö3 then during an official press conference in Vienna and finally the video was revealed on the eurovision.tv website. Way back in September, ORF announced that they had chosen Conchita Wurst as their next Eurovision representative. The song she will be singing is "Rise like a phoenix".

This was a music video clip, so Conchita was not singing live. This said, there are a lot of clip of her singing live, in particular the Austrian National final of 2012. It would have been nice to see a live version in front of an audience to gauge the interaction with the fans with the some kind of reaction from the crowd.

The video takes pace in quite a plain white studio punctuated but chaise lounges, red drapes, rose petals and a bath! Conchita wears a number of different dresses (as well as none when in the bath) and sings to the camera. There is not really very much of a narrative but you do get a good idea of the type of character Conchita is and the kind of act you might get on the stage. The only voice heard is Conchita's and I would guess that she will be the only one on stage in Copenhagen.

The best way to describe is to say it a ballad in the style of a Shirley Bassey performed James Bond theme tune. There are lots of strings and drums and build up to a really dramatic finish. The verses are nothing special but the choruses really show off her vocal range - even more so in the very final key change. The lyrics really reflect her character and what she stands for and it certainly a song she can feel and hopefully emote to the audience and hopefully go down a storm in the hall.

Although I think that Conchita is an amazing singer I was slightly disappointed with the style of song as I was really hoping for something a little more uptempo and more engaging to the ears. The tune of the song is a little unpredictable and you have to listen to it a good few times before it stays in your ear. The start of the chorus (which just so happens to contain the title of the song) is not terribly legible. Finding out what the staging will look like will be interesting.

Let's be honest this has been a very controversial choice. Whether you like it or not many countries will find this act very shocking. There have even been petitions in Belarus and Russia to try and censure this act then it appears on the stage in Copenhagen. This kind of publicity will affect her vote in some countries but will increase it in others. Many people will look at the ideals that Conchita embodies and will find many groups of people will support her wholeheartedly.
Whichever way you look at it this will get a lot of publicity before the contest but I am not at all sure this will turn into votes. In a semi-final with many Eastern European countries this may well find itself on the cusp of the qualification and therefore in danger. That said, if it does go to the final it will get votes from all of the Big 5 so may do better in the final than semi-final.

Artist - Conchita Wurst
Song - Rise like a phoenix
Music - Charley Mason, Joey Patulka, Ali Zuckowski, Julian Maas
Lyrics - Charley Mason, Joey Patulka, Ali Zuckowski, Julian Maas


Monday, 17 March 2014

AZERBAIJAN

The Azerbaijani entry was premiered on March 16th via the Eurovision.tv website. Earlier in March the singer Dilara Kazimova won the Böyük Səhnə selection show to be the participant. It was then announced that the selected song would be chosen at a later date. The song she will be singing is "Start a fire".

The video is a pre-recorded pop video rather than a live singing recording. During the Böyük Səhnə selection she showed some skill however that was with cover versions in Eurovision and non-Eurovision hits however this will was the first time she has been seen singing an original song for the contest.

The video is shot with 2 main themes. One is of sheet music and instruments, the other of night time views of a city and Dilara is present in both. Her miming doesn't seem to be very good and seems to have a wayward tongue! It certainly fits the mood of the song but isn't particularly entertaining or tell the story of the song. I find the close ups of here during the video a bit too close up!

The song is a modern piano ballad with folk instrumental elements. The lyrics of the song are really emotive and lyrical however the tune of the song, and Dilara's vocal style, doesn't always allow you to listen to the words carefully and get the true meaning of the song. It stays quite mellow and quiet until about 2 minutes when the orchestration kicks in and then subsides

The main obstacle to the this song is Dilara's voice and pronunciation. It seems like you only get to understand every other word. Her way of saying the letter 's' is quite odd and the last line of the chorus (apart from Start a fire) is almost unintelligible. There is also the notion that this is not a very Eurovision song. Obviously the video gives us very little idea of stage production but hopefully this will help get the meaning of the song to the viewer.

I don't know how well this will be received, especially after the voting debacle of last year. I also don't think this is a very televote friendly song but will get some song writing points from the juries. It may also get lost in the trickier of the two semi finals. This will qualify, even though it possibly shouldn't, and I have no idea how it will do in the final. I personally like the tune of the song but find it really hard to get into it.

Artist - Dilara Kazimova
Song - Start a fire
Music - Stefan Örn, Johan Kronlund, Alessandra Günthardt
Lyrics - Stefan Örn, Johan Kronlund, Alessandra Günthardt


Sunday, 16 March 2014

PORTUGAL

The Portuguese Final was held on March 15th at Convento do Beato in Lisbon, hosted by José Carlos Malato & Sílvia Alberto. Before the final there was a semi-final where the field of 10 was reduced to just 5. The televoting window for voting ran from March 8th-15th. The winner was Suzy with "Quero ser tua".
                                                                                                                         
I was able to watch both the semi-final and final live on TV thanks to RTP International Europe. I have to say I am not quite sure what the point was of having a semi-final when there were so few songs to begin with and I feel that a final of 5 is much too small a field. I would rather have had two small semis of 5 each where 3 go through so we had a final of 6, or just a straightforward final of all 10.

The staging of the song is very similar to that of Ryan Dolan last year. Suzy is centre stage with 2 female backing singers at one side and Behind her are 2 male dancers who also bash about two very large vertical drums. In addition she has a topless singer/mobile drummer who is drawn on with multicoloured body paints. On this stage the effect is OK but may benefit from much stronger background colours and some more effective costumes which for this performance are mostly in black.

The song is a happy, dance party song with aspects of carnival about it. It has a very sunny Mediterranean feel about it of which there is nothing like in the contest. The song also sounds a lot like "Lambada" which was recently sampled by Jennifer Lopez. The chorus lends itself to audience participation with 'oh-oh-oh' parts. The song seems to be quite within Suzy's range but the end part shows her upper range during the last key change. However the song, as it stands, it all in Portuguese and I feel that a slight change in this could make the song even more accessible.

There is a lot that can be improved with the performance. They either need to ramp up the background screen so that is is really colourful and bright OR they need to have a plainish background but with really OTT colourful outfits. They need to sell the carnival aspect of this. I don't think the dancers work - the drums are very old hat and the dancing with the wings just looked awful. Maybe they need some scantily-clad Rio dancers instead... who ideally can sing too? Plus, ideally they need to make some of the song, possible the last couple of choruses into English

However after the final there was a lot of disquiet. It seemed like the audience in the hall were not pleased about the result and neither were many of the tweeters. There have been rumours of some sort of vote fixing but with less than 48 hours before the songs have to be presented to the EBU. I doubt this choice will be changed to the second place act, Catarina Pereira's "Mea culpa".
This was the best choice in a poor and very old fashioned field. The song and singer have some potential but without some big tweaks this will not make it to the final. I would suggest this is a non-qualifier.

Artist - Suzy
Song - Quero ser tua (I want to be yours)
Music - Emanuel
Lyrics - Emanuel

NORWAY

The Norwegian Final was held on March 15th at the Spektrum in Oslo, hosted by Jenny Skavlan & Erik Solbakken. Before the final there were 3 semi-finals with 3 songs qualifying from each. The winner was be chosen in two rounds of televoting - the first to select the top 4 and the second to select the winner. The winning song was "Silent Storm" sung by Carl Jepsen.

I was able to watch the second half of the show in the internet, stating with the reprise of the 4 songs that go through to the superfinal. I thought that the idea of having the semi-finals in a much smaller venue than the final a very clever idea. Let's remember, this is a song contest and if you only have enough stage to truly rely on the song, this si no bad thing. However it was also interesting to see how he acts developed their semi-final acts to a much bigger stage.

The staging of the song is very simple. the atmosphere is very dark with blue lights. Carl is backed only by a pianist, who is viable all the time on stage and is the only instrument you hear at first, then as the song progresses you also see a timpani player. Initially Carl is staic for the first verse and chorus then moves more centre stage for the rest of the song. Carl is a very burly looking gentleman who looks very butch and rough with his beard, tattoos and beer belly but this is counteracted by is very tender vocals.

This is not typical Eurovision entry at all. This is a very, quiet minor ballad which almost feels like an epilogue to "Birds" by Anouk last year. Its structure is very simple as there are two verses with a chorus after each one. The chorus sounds eerily familiar but don't quite know why. There is a real progression in the song and does build nicely. If he can grab the viewers' attention long enough to get through the first chorus I think he will have people on his side. The song does end very quietly and I have a feeling that this is not doing to work. I fear that the audience in the crowd will hear this 'false ending' and start cheering before its actually finished. hearing the ending properly is also important to this songs chances.

I have to admit that the first time I heard this song, it did nothing for me and could not quite understand why so many people were gushing over it. But I think I now understand how and why this is. It is one of those emotion lead songs that if you listen carefully enough to the words of the song it could mean something dear to you, and it sounds like it does to many people. Also I think that that you expect a man that looks like Carl to sing in a certain way and sing a certain style of song and when that doesn't happen it takes you aback. However I think this is an important selling point.

This song is a grower. It is a very quiet ballad sung by a man - and there are not that many of those in the contest. If he can keep everyone's attention through the first verse into the chorus he may well get a lot of votes. I also think a song like this may polarise the juries. Part of me thinks this might just be a little bit too different to be a contender for the win.

Artist - Carl Epsen
Song - Silent storm
Music - Josefin Winther
Lyrics - Josefin Winther

MOLDOVA

The Moldovan Final was held on March 15th at the TRM TV Studios in Chisinau, hosted by Olivia Furtuna & Iurie Gologa. Before the final there were 2 semi-finals with 7 songs qualifying from each. The winner, chosen by televoting (50%) and an "expert" jury (50%) was Cristina Scarlat with "Wild Soul".

Unfortunately being at the end of a very rushed and crowded National finals season, the Moldovan selection really kind of passed me by. Although the final was available online it clashed with too many things and so the closest I came to watching any of it was through watching recaps of each semi-final on youtube.

The staging of the show is quite unusual. Firstly Cristina has the most wonderful dress - a dress that encapsulates the sound of the song before she has even sung a note! The background is of black, red and white smoke patterns which kind of fits in with the energy of the song. Throughout the act, Cristina is static, all of the action happens behind her with her 4 backing dancers. They are dressed in a similar to Dschinghis Khan back in the '70s but their dancing is much more modern. They also use a series of props to create some very unusual and sometimes daredevil stunts behind her. The use of the flying scarves is very effective - where do they come from?!?!?!

The song is a ballad over a modern dubstep dance beat. The song starts off low and quiet and builds up nicely - we even have a much needed and much missed key change in the final chorus! I was starting to think this was an endangered species! It progresses as you would predict however the ending of the chorus is a little different and allows Cristina to really show off her excellent vocal ability. Her voice is really clear and her diction is not bad either. Although not the most in your face song, after a few listens the song becomes more memorable. There are lots of repeated words and phrases but none of them the title.

This is very much a visual performance, although her voice needs to be the star. I think the show as it is may look a bit tacky and amateur on a huge Eurovision stage. Firstly they need to makes sure that the dancers escapades add to and compliment Cristina, not overpower it. I would like to see them redesigning the costumes not sure what to but as they are it doesn't seem to fit with the background or what Cristina is wearing. They also need to think about the props. I am still at a loss as to what the bendy mirror is all about and I am not sure how they can make the scarves (which is possibly the best and simplest visual trick I have seen this Eurovision season!) into something much more epic!

This kind of mish-mash of styles is the kind of thing you expect from Moldova and from that side it doe snot disappoint. Part of me wishes there was an even bigger ending to make it stand out more. In a semi-final with quite a few allies this will qualify but probably won't do much at all in the final.

Artist - Cristina Scarlat
Song - Wild soul
Music - Ivan Aculov
Lyrics - Lidia Scarlat

Saturday, 15 March 2014

SAN MARINO

The San Marino entry was presented on March 14th during a special show on SMRTV called "Verso Copenhagen" hosted by Alessandro Capicchioni, the Head of Delegation for San Marino at the Eurovision Song Contest. Back in June, it was agreed that the principality will be represented by Valentina Monetta for the third consecutive year. In Copenhagen she will be singing the song "Maybe".

The pre-recorded show was very basic, it did it's job. I also noted that the show, although mostly in English, also had English subtitles possibly a nod to the fact that this show was being watched around the world on TV or via the internet. Appearing on the show were Valentina herself and the composers of the song. However they also had a plethora of special segments syke chats and and in studio discussions about the contest as well as appearances from John Kennedy O'Connor and Sanjay Jiandani from ESCToday. The song presentation was made in the form on a video clip.

Although this was not a live performance, as she is a known (and tried and tested) act on the Eurovision stage I don't quite have so much negativity for this. The video is mainly set at the beach although there are inserts of her sitting at a piano, but not playing it. The setting of the coast really suits the song and the elements help the song to build however the studio parts focus her emotion to the camera.

The song quiet slightly minor sounding ballad. Most of the song is sung quite quietly and focuses on the words and meaning of the song which is a slight difference to her past entries. The song also contains a lot of repetition of the word 'maybe' which is no bad thing. The song slowly builds up but is more subtle and less dramatic than in "Vola". The song quietens down for the ending which is a little weak in my opinion and would benefit from being a little more punchier.

I think that there is no question that Valentina can sing so that is not an issue. The song is just her singing so will not be any extra bodies as backing singers. I could though see dancers especially to emphasise the meaning of the song and slight change of tempo. However I would also see here singing is all by her self, possibly with a pianist. Hopefully they have learnt a lot about staging from last year, which severely let her down. It will be less frantic and possibly less visual than her previous entries.

I think that Valentina will get a lot of publicity for her third appearance in a row and a pet favourite for many people. I also think there will be A LOT of love for her in the area. Part of me thinks this will come about midway in the jury ranking and possibly near the bottom in the semi-final televote. If it does qualify it will be a great result but I am really not sure. San Marino and Valentina deserve a crack at the final.
Just a place in the final would be a win to them.

Artist - Valentina Monetta
Song - Maybe
Music - Ralph Siegel
Lyrics - Mauro Balestri


ARMENIA

The Armenian entry was presented on March 14th during a special show on Armenian TV where past participants Gor Sujyan, Hayko, Emmy, André and Eva Rivas all performed. Back on New Year's Ever, Aram mp3 was revealed as their internally selected artist. The song he will be singing is called "Not alone".

I watched most of the show live but in the end it was a little bit of a disappointment. After all the performances in the studio, the song was eventually revealed at the end of the show - as a video clip. Aram mp3 was even in the studio during all of this. It did make you think why he wasn't singing it live.

The video is partially based in a studio, punctuated with instruments being played, whilst the rest features Aram mp3 driving and arguing inside a car. As the song builds up the colours and camera angles change and become more frequent. Am not quite sure how relevant the car bits are as I find the studio bits, especially with the changing lights, much more effective visually. Also this possibly this might give us an idea of what a performance version might look like.

The song starts as a quiet, thoughtful ballad. In some ways the recorded version is too quiet to the point where it feels very mumbled and you can't understand a thing. The chorus just seems to be 'you're not alone' repeated a few times with large gaps between which although repetitive is not exactly the best song writing. But half way through the beat starts kicking in and although he tempo does not change the style of the song becomes more angry and powerful. It is only really at this point does the song and performance start come alive and show some personality. Even at this point the song writing is very repetitive. Finally the song ends by repeating the chorus quietly.

I think the studio parts could give an insight to what Aram mp3 might do on the Eurovision stage. There us also a large scope for other people on the stage as the recorded version on contains his voice. They might decided to put a group together behind him or have some kind of dance troupe. My main concern though it whether he can sing and perform this live. Although I think he could probably carry off the first part of the song I am not sure if he can perform the final part without getting too screechy, shouty and out of tune. As I said earlier, the fact that this was shown as a video clip does give you reservations.

On first listen to this I was very unsure. If I am honest, I was really not expecting this kind of song. On further listens it has grown on my and does make an impact. With a decent singing performance this will qualify but come mid-table in the final, but with a poor semi-final show it will be marked down by the juries putting it on shaky ground.

Artist - Aram mp3
Song - Not alone
Music - Aram Sargsyan
Lyrics - Garik Papoya