Friday, January 29, 2021

ISRAEL 2021

The Israeli song was revealed on January 25th, via a special show (HaShir Shelanu L'Eurovizion) hosted by Lucy Ayoub. Before the final there was a semi-final where the long list of 9 was whittled down to a final of 3. The winner was chosen by online & app voting which started on January 19th. Eden Alene, who was to be the Israeli representative in 2020, will sing the song "Set me free".

The show, unfortunately was not a 'live' show and the winning song was only seen as a video clip so this is what I will be using to review. Eden Alene is dressed in white and has some very distinctive make up and hair styling. She certainly looks very dynamic and this is made more interesting by the dancers around her dressed mostly in back with picture frames of lights surrounding their head and shoulders. This framing is every eye catching and keeps Eden Alene firmly in the centre of attention

The song starts with a brief intro then straight into a shortened version of the chorus, albeit a rather low key version. This is always a clever tactic as it gets this key part of the song firmly locked in your hear within seconds. The backing track has a very strong beat and has a great use of sythy-strings to create moments between the singing. The verses are much more spiky and show Eden's personality much more than the chorus. Here, the pace slows ever so slightly although this change of style and tempo shows the diverse range she has to her voice. There is then a rather prolonged post-chorus which also contains lines in Hebrew. During the second verse the backing track changes slightly to a slightly more dancehall rhythm which really perks your ears up. After a third verse the very last chorus starts with a key change - jut in case you forgot it's a Eurovision song - then finishes with a final "Just set me free".

The song itself has a great contemporary feel and would not feel out of place on many radio stations around the world. In addition, most Eurovision fans are pretty confident that Eden Alene will perform the hell out of this physically and vocally although there are obviously numerous questions about potential staging ideas. After numerous listens, the song starts to feel more like a collection of bits that don't quite flow together. In particular I am puzzled at the prevalence of the 'Imma make it on my own" part which almost seems to overpower and overshadow the chorus, as well as take up a rather large part of the song's time limit. The ending also feels rather sudden.

On the face of it, this is a solid effort and something that very much fits into the modern scope of Eurovision. Instinctively one wants to compare this to "Feker Libi" and this new song really isn't at that level. Personally, I don't like the way it slows down for the chorus or how long the post-chorus goes on for. I feel like something with a a more constant pace would suit Eden's personality more as well as create more flow for the listener. There is time, however, to finalise the backing track as well as making the best possible stage show, although having seen how much effort has gone into the development fo the tracks and video, I don't think this will be the case.


ARTIST - Eden Alene
SONG - Set Me Free
WRITING CREDITS - 
Ron Carmi, Amit Mordechai,  Ido Netzer, Noam Zaltin


Saturday, January 23, 2021

ALBANIA 2021

The Albanian Final (Festivali i Këngës) was held on December 23rd at Sheshi Italia in Tirana, hosted by Blendi Salaj & Jonida Vokshi. Before the final there was a semi-final where the long list of 25 was reduced to 18. The winner was chosen solely by a jury. The winning song was "Karma" sung by Anxhela Peristeri.

Anxhela is centre stage for most of the performance wearing a sparkly beige/coral number consisting of long sleeves, pronounced shoulders and a shredded skirt. The top half looks good in close up but the bottom could be a little more imaginative. Her dancers are wearing gold and black catsuits with matching bandana and capes which seems rather incongruous with Anxhela's outfit AND the theme of the song. The stage colouring seems to mix red and blue with a number of different motifs but none are prominent.

The song starts with a rock-guitar led call to action with Anxela blasting loud and clear like a fog horn followed by a guitar riff but soon settles down into something much more mellow. The first verse is very sparse and punctuates the syllables and expression in Anxela's voice. It seamlessly goes into the chorus which has the warbly earworm from the introduction but uses a softer tone to her voice. This leads to a brief instrumental mirroring the tune of the chorus and four dancers crawl onto the stage next to her. From here the song gets a little less static and more powerful.
During the second verse/chorus combination the background music is more pronounced and more instruments join in. Anxhela is also engaging more with the camera; swaying and bending to the music. As the song enters its final minute there is another instrumental this one much more drum based and has the backing singers chanting away on top. During this part Anxhela is tossed and turned between the backing singers before being lifted above their heads. This gives Anxhela enough time to do one more rendition of the chorus before the song finishes rather abruptly.

Positively, there are very few occasions that a song with wins the Albanian national final is exactly the right length to go to Eurovision, so this means we don't have to worry about parts being cut out or awkwardly phrased. We also know that the song is being kept in Albanian, which I think is a good move. The ethnic instrumentation may have felt jarring with English lyrics on top so keeping it as it is will keep it feeling natural. Some tweaks will need to be made to the stage show depending on the different options of how Eurovision will be presented this year. I think work needs to be done on all of the outfits - especially the backing dancers!

This is quite expected Festivali i Këngës fayre and is not a bad bar to judge the rest of the Eurovision entries to come. Personally, although the tune (particularly the chorus) is memorable there is a lack of flow. The tempo is a little safe and predictable and I would almost be tempted to experiment with trying the song out a tad quicker or slower to see if it changes the emphasis of the song and maybe give more direction for the staging and dancers. That all said and done, knowing that they don't really need to do much to the song in essence, just wait for the devamp....


ARTIST - Anxhela Peristeri
SONG - Karma
WRITING CREDITS - Kledi Bahiti, Olti Curri


Monday, May 11, 2020

SEMI FINAL MUSINGS

Once I realised that the Eurovision powers-that-be were actually going to release the foreseen semi final rosters, I knew I had to get my two penneth in first. The semi draw is always an important part of the Eurovision timeline and would have given us some idea as to the placings of the favourite and possibly some ideas of staging (sometimes countries needing vast staging change can be placed after a 'break' usually 1/3 or 2/3 of the way through each running order. As we din't fully know any of these details, that's something I'm just going to have to imagine!

After a short umming and ahhhh-ing session I decided upon these two running orders for the semis

Obviously we know what is in each semi AND who is in the bottom and top halves of each draw.
My personal taste sways the order a little bit but I have tried to keep similar songs apart and keep the genres switching. I have also tried hard to keep song not in english apart too, especially when they are few and far between.

There are some really hard decisions to be made:
top half of semi 1 has a lot of mid-tempo dance-y songs
bottom half of semi 1 has a glut of girls singing ballads
top half of semi 2 is quite uptempo
bottom half of semi 2 has a lot of tracks that are mid-tempo and slower.


The real running order won't be anything like this (it never is!) and I wait to see what they came up with!

Wednesday, May 06, 2020

SOA 2020 ep6

Shite or Alright episode 6 - 700 points for a blank tape

Eurovision 2020 may not be going ahead but by golly are we still going to review them!

Whilst reviewing the last batch of songs we made the following (useless) comparisons - 

Frances Ruffelle gone goth
4 people who were about to do a bank robbery
Poundland Adam Lambert
Chrome, metal and high quality ferric cassettes available RIGHT NOW
Anton Du Beke wouldn't be seen dead dancing to that
The singing version of Putin
He could be the Tania Evans to their Fettes Brot.

The songs under the microscope today - as ever in alphabetical order - are:
Armenia, Germany, Moldova, North Macedonia, Sweden, Switzerland and Ukraine

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/soa2020ep6

Click here to listen to this podcast in your usual music player (M3U Playlist)


Saturday, May 02, 2020

SOA 2020 ep5

Shite or Alright episode 5 - 15,000 headhanders

Eurovision 2020 may not be going ahead but by golly are we still going to review them!

Whilst reviewing today's songs we also made the following critiques and descriptions - 

Hold your plums
Nodding off in the chorus
Every Robin Schulz record
A piece of wet lettuce
Chacarron by El Chombo
A plastic excuse for your inability to control your own drugs
Mr Wilson's Second Liners instead of the dancers

The songs under the microscope today - as ever in alphabetical order - are:
Albania, Cyprus, Israel, Lithuania, Romania, Serbia and United Kingdom

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/soa2020ep5

Click here to listen to this podcast in your usual music player (M3U Playlist)


Thursday, April 30, 2020

SOA 2020 ep4

Shite or Alright episode 4 - Dustin The Turkey Trapped In A Hedge

Eurovision 2020 may not be going ahead but by golly are we still going to review them!

Whilst reviewing today's songs we also made the following 'helpful' pointers - 

Spitting my tea out
The cast of Avatar but with extra glitter
Girls mumbling
The Belgians have agreed on something...?!?!?!
Where's his Wati-B cap?
A Jennifer Ellison comeback record
Tim Vincent by numbers

The songs under the microscope today - as ever in alphabetical order - are:
Belgium, Bulgaria, Czechia, Estonia, Greece, Ireland and Spain.

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/soa2020ep4

Click here to listen to this podcast in your usual music player (M3U Playlist)


Friday, April 24, 2020

SOA 2020 ep3

Shite or Alright episode 3 - Endurance Eurovision

Eurovision 2020 may not be going ahead but by golly are we still going to review them!

Whilst reviewing today's songs we also made the following critiques and descriptions - 

cow pox
fanny favourites
the best prodigy song is, of course, ....
serhat/Telly Savalas/MC Sar
Tsunami was the best song!
Real Housewives of Baku
Another pointless and soulless NF

The songs under the microscope today - as ever in alphabetical order - are:
Azerbaijan, Denmark, Georgia, Italy, Portugal and San Marino.

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/soa2020ep3

Click here to listen to this podcast in your usual music player (M3U Playlist)


Saturday, April 18, 2020

SOA 2020 ep2

Shite or Alright episode 2 - Emeli Sande Fights Dirty

Eurovision 2020 may not be going ahead but by golly are we still going to review them!

Whilst reviewing today's songs we also made the following critiques and descriptions - 

Do they make Hooch anymore...?
Like Katie Price with bears
SEND BEEEEEEEEEEEEEEEEEEEEEEEEEER
Less Skrillex, more Screwfix
A flood of wet wipes around a fatberg
The John Lewis version of Saara Aalto
"Put those Cheetos down!!!"
Des'n'Tina
Craig Phillips
A pensioner with an 'og-pog'

The songs under the microscope today - as ever in alphabetical order - are:
Croatia, Finland, France, Iceland, Latvia, Malta and Norway.

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/soa2020ep2


Click here to listen to this podcast in your usual music player (M3U Playlist)


Monday, April 13, 2020

SOA 2020 ep1

Shite or Alright episode 1 - Like A Bad Smell Verifying Results

Eurovision 2020 may not be going a head but by golly are we still going to review them!

Whilst reviewing today's songs we also used the following odd reference points - 

Worst Spanish counting since U2
The Roxy on ITV
Lassiters
Dressing like twitter
Playing the NHS bedside tables
Living In A Box album track
Liking the plops

The songs under the microscope today - as ever in alphabetical order - are:
Australia, Austria, Belarus, Netherlands, Poland, Russia and Slovenia

If you have enjoyed the podcasts, please get in touch and/or share my stuff  :)
 
Follow us on twitter at https://www.twitter.com/ESCarmchair
or like our facebook page at https://www.facebook.com/ESCarmchair to find get the latest information about blogposts and podcasts or even have a look back at our old ones :o)

You can download or listen to it here https://archive.org/details/soa2020ep1


Click here to listen to this podcast in your usual music player (M3U Playlist)


Sunday, March 22, 2020

RUSSIA

The Russian song was released on March 12th via the premiere of the video on the C1R channel and and available to download the next day. On March 2nd the broadcaster had announced that punk-rave band Little Big had been internally selected and the song would be known in due course. Their entry is called "Uno" (One)

The setting of this song is very simple and although this might lack imagination it does mean lifting this hook line and sinker onto the Eurovision stage would have been very easy indeed. Sonya and Ilich are centre stage with thee backing singers on one side, a keyboardist behind them and a dancer to the other side. They are all dressed very individually, all have their own microphones and spend most of their time looking down the camera and there is not very much interacting at all. There are some dance moves for the instrumentals and the chorus which would have gone down a storm.

The song as synthy-latino feel stretching to the fact that the chorus is a list of numbers in Spanish. After a small piano intro Sonya and Ilich take it in turns to sing the lines in verse 1. A beat is introduced during the pre-chorus and then goes straight into the repetitive chorus. This is followed by a dance break filled with synth sounds. Verse 2 is just Ilich by himself and is almost more spoken than sung. We then hear the pre chorus and chorus twice through. The song then quitenes back down to just piano with Sonya singing the last line of the chorus on repeat before beefing up once more for 2 more choruses. The song then sounds like it is about to go for a third repetition but stops abruptly instead

A couple of years ago, Little Big had a viral hit with their dance along song "Skibidi" (and the video challenge this then inspired) and their Eurovision song fits in well with this legacy. This is certainly a 'Eurovision song' with the odd looks to camera, strange outfits, dance routine and repetitive lyrics. I think that people watching this would see this as the stereotypical fun and kitschy Eurovision song and would vote for it because of that. I think the juries may have been more split about it. Some will've seen this as a 'millennial' entry and know that this is the kind of thing that goes viral but some may have disliked the genre and their style of performance and looking more for something more 'grown up' and contemporary. Either way I think with the publicity of the contest under their belts this could have been a summer hit. Hopefully they will be asked back next year for some more fun !


Artist - Little Big
Song - Uno (one)
Composers - Ilia Prusikin, Viktor Sibrinin, Denis Tsukerman
Lyricists - Ilia Prusikin, Denis Tsukerman