Friday, 29 March 2013

Dual Languages

During the time the language rule was in place, if you were a multi-lingual nation, you had choices.You could choose one language or a combination of them. If not, you ahd to stick to your one and only tongue.
Now that the rule is gone, countries can choose a wide range of languages incuding makey-uppy Belgian ones. Many countries now have songs in a rnage of languages and many choose their mother tongue with a sprinkling of English.

Today we hear some songs where 2 languages have been employed - successfully and unsuccessfully.
You will also hear the progress towards the DHHVHolland countdown on the blog, as well as when we will be recording the "Shite or Alright" podcasts.
 

Keep an eye on the twitter feed at @DVVHolland as well as the facebook page at https://www.facebook.com/DVVHolland to find out the latest news :o)

You can download or listen to it here
http://www.archive.org/details/DualLanguage

Click here to listen to this podcast in your usual music player (M3U Playlist)

Friday, 22 March 2013

Repeat Offenders

Some people cannot stay away from Eurovision - and we are not just talking about the fans!

Over the years, for one reason or another, some artists keep coming back to Eurovision - sometimes on their own, as part of a groups, even for a plethora of different countries!
In this podcast I choose a select few of these 'repeat offenders' and play some of their classic songs.
You can also hear who I would like to see a celebrity Eurovision boxing match between and a sneak peak as to which song my heart really wants to win Eurovision this year ! 

Keep an eye on the twitter feed at @DVVHolland as well as the facebook page at https://www.facebook.com/DVVHolland to find out the latest news :o)

You can download or listen to it here http://www.archive.org/details/RepeatOffenders

Click here to listen to this podcast in your usual music player (M3U Playlist)

Wednesday, 20 March 2013

EUROVISION 2013 COUNTDOWN

39) ESTONIA
This was a weak, weak choice by the usually more innovative and modern voters of the Baltic state. The might of Winny Puhh would have done much more for their profile in the contest (although most it would have delivered is a headache rather than douze points). She may be a pretty girl with an OK voice but this doesn't win, and never wins, Eurovision by itself.
The song doesn't progress, it has a boring presentation and plus its chorus is a blatant is a rip off of "A moment like this".

38) BELGIUM
The song has had a makeover since the shabby radio selection process, however there is only so much you can do with a rubbish song. One thing they could've done was to select somebody who could a) actually sing and b) actually sing in English. He can do neither. How on earth did he win "The Voice"? Was he the only person who turned up
This will be a car crash of a performance, especially the key change. Belgium, you have so much talent yet you don't use any of it.
(NOTE TO VRT - Selah Sue 2014...??????)

37) CYPRUS
An internal choice by the island nation who may well not turn up in May if they can't get their money out of the bank. In fact this may well be the safest option. The song is a lolloping ballad in Greek that never seems to end, goes nowhere and won't be understood by the majority of viewers.
Although Despina is a seasoned performer, I have yet to see her sing this song live. I suggest you highlight this performance in semi-final 1 as the point to make a cup of tea.

36) SPAIN
It is a shame but for an act with a lot of promise and appeal they have chosen a dire and awful song. A pointlessly long intro, a change of tempo that doesn't work and a really long drawn out chorus makes a huge opportunity lost. When will the Spanish choose a song that *doesn't* contain any Spanish? When hell freezes over...
The only salvation for this song is that the lead singer is well known in Italy and that latecomers to this song may well believe they are watching an Irish entry.

35) AZERBAIJAN
This is the first time the land of fire has chosen a solo male singer to represent them in Eurovision - and the reason is now out - it is because all the good singers are female.
The verses, which I think is in English but the jury is still out, is mumbled and badly acted through. However if you have fallen asleep, don't worry because the shouts of "HOLD ME! JUST UNFOLD ME!" will wake you up from you sweet dreams straight into a horrible hairy nightmare. A song best appreciated by the deaf and/or blind.

34) ISRAEL
Oh it cannot be - another ballad?!? If the viewing public feel the same way as I do all the ballads will merge into one, will forget which one is which and vote for San Marino anyway :o)
Israel have seemingly sent a Lynda Woodruff tribute act to Eurovision. This is obviously a ploy to get the Swedish/Nordic vote. Moran has big hair and even bigger comedy glasses. Moran is not dressed in the most flattering of outfits and seems to screech her way through the second half of the song that never ends.
http://youtu.be/rYuSe5h-rrg

33) MALTA
At least this is not a ballad. Last year we the first use of 'cybersex' in a Eurovision entry. This song includes the phrase 'risk assessment'. Don't let anybody tell you that Eurovision doesn't just sent the same old shit every year. The shame out this song is the only catchy thing is the 'ohhhh ohhhh' part after the chorus which makes you feel that the writers have wasted their time.
Giovanni, who sings the song, is a doctor by trade so will be able to administer the audience with whatever they need so they can wake up when he's finished.

32) FRANCE
Nearly 20 years on from Nina Morato, France are *still* trying to get the dirty old man vote. Amandine is really overdoing the whole dominatrix thing in this video and it's not going to work on stage.
This is the most atypical Eurovision entry put forward this year. It is just too severe and inaccessible for the ordinary viewer to vote for. Amandine won Star Academy a few years ago but her career has somewhat gone down the pan. Another case of desperate pop star wanting Eurovision to save their career. Not with this song, love *yawn*
http://youtu.be/YQJaab8j4fU

31) AUSTRIA
Their national final this year was such low quality, it was tragic. The umpteenth Eurovision song called Shine is a ballad which is trying to be an Adele b-side, if she had lot the ability to write a decent song.
It is a contemporary sounding song but lacks any oomph or connection to the audience so no-one will vote for it. Her only hope is that Alf Poier is free on semi-final night and can re-choreograph her routine to involve a dummy with a cat's head playing a zither. Upside down.
http://youtu.be/8dpcKwdSBhM

30) HUNGARY
ByeAlex is the name if this act and "Bye Alex!" is what we will be saying when it doesn't qualify from semi-final 2 and they end up going home. The Hungarians seemed to spend a lot of time an effort in selecting their entry and chose the wrong one.
This said, the song is catchy in parts and the title of the song is repeated enough times for you to join in and sing along. It is a quiet, meek and gentle ditty but it soon turns a big smug and self-satisfied and you start to hate it. The teapot hat and glasses don't help either.

 29) LATVIA
Keeping up the great, fine tradition of rapping in Eurovision such as Love City Goove, Kølig Kaj, Ich Troje and Real McCoy, Teapacks, Waldo's People, Daz Sampson, Greenjolly and Gypsy.cz are PeR who will once again make sure people realise that rapping and Eurovision doesn't work.
Latvia has had a string off useless entries - long gone are the days of "My star" and "I wanna". Maybe those early triumphs were merely flukes...? The only upside is that the lead singer, Ralfs Eilands, may appear on stage shirtless.

28) FYR MACEDONIA
The duet of Lozano and Esma - or at least that was what "Imperija" WAS. This is a duet in the style of Natalie Cole singing with her dead father - except these two are very much alive. Together but very much not together. It's a horrid mish-mash of styles written in a rush - and you can tell.
These two are like chalk and cheese. He sings in Macedonian, she sings in Romani. He emotes, she interrupts. He stands still, she wafts her arms around. She looks exotic, he looks like Jeremy working in I.T.

27) MOLDOVA
"Look into my dress, look into my dress, the dress, the dress, not around the dress, don't look around my dress, look into my dress, you're under."
The hypnotising effect of Aliona's dress may put you off actually listening to the song. I'd also say that people vote for songs, not dresses but if voters are silly enough to pick up the phone for a Ukrainian sand artist dressed as Mystic Meg then anything is possible. I would say more about the song but it is 'nice' and 'acceptable' which is really not flattery.
 
26) RUSSIA
"What if we all opened our arms? What if we came together as one?
What if we aimed to stop the alarms? What if we chose to bury our guns?"
This is a saccharine, soppy and most of all disingenuous ballad coming from a country who treats people who dare to criticise the government (Pussy Riot) like Fascists and interrupt perfectly legitimate gay marches as if they were terrorist recruitment drives. Maybe they should play this song to the homeless and orphaned children of Syria whose war they have helped to continue...? #justsayin
 
25) GEORGIA
Another sloppy ballad which I think was initially called "Golden Shower" before the EBU asked them to change the name. Sophie and Nodi make an awful couple and their chemistry is so stage school, one might mistake this for a set-up audition for the X-factor. I seriously doubt these two can sing this song live and if they can sing it, I doubt it will be decipherable.
Now we all know how "Quedate Conmigo" last year's Spanish entry would've sounded like if Thomas G:Son had been able to write English lyrics for it.
http://youtu.be/CvdcRmzuXKM

24) FINLAND
This is the most fun and light-hearted song this year but that doesn't mean it's any good. I say light hearted, but a song about bullying your mate into marrying you whilst stalking him is light hearted - no?
I guess a lot of effort will be put into the visuals of the song in the hope you take no notice of the stupid lyrics about dieting and having babies. The 'ding dong' part is just cringe worthy although I can imagine little girls at school singing this refrain stomping about pretending to be old Krista.
http://youtu.be/FdU02F9lT2g

23) BELARUS
Finally Alyona gets to perform at Eurovision!
After being disqualified as winner of the Belarusian final last year she won the selection again but then decided to change her song. She is a very pleasing performer but I find her performances of this just a little too OTT. The verses are by the by but he chorus is as catchy as hell, though.
This song has a whiff of everything and everyone. Sometimes it feels a bit Sertab, sometimes a bit Ruslana and when she pushes her vocals too much she sounds a bit Xandee.
 
22) ITALY
As the song stands, it's too long so I am intrigued about where the extra time will the shaved off. It can't be sped up  so getting rid of a superfluous verse may be the way to go. The song builds well but it is a long wait.
The performance is nothing special and I don't believe that Marco has enough of a pull to get people to stay tuned in, never mind vote. Marco's unusual style of 'narcolepsy singing' may well be very off-putting. The juries may well love this (and him) but I am not sure the televoting public will.
http://youtu.be/X2C-ePvHfAs

21) BULGARIA
Another return act to the contest however I don't think this will be a happy ending. The song has a fantastic ethic feel too it and the plethora of drums on stage will give it an interesting visual. I can foresee movement and flashing lighting on the stage and a lot of flying drumsticks.
However I have major reservations about the vocal. On the recorded version there is a lot of production on it and a lot of harmony. Elitsa wasn't too hot last time at Eurovision but the stellar song and saved her, but this song is not as good.
http://youtu.be/bExp3aNOFsE


20) ALBANIA
Nice to see Simple Minds making their comeback through Eurovision!
This song instantly recognisable due to the lack of any guitar rock/ethnic pop in this year's contest, apart from this. I am usually not one for translating but I think they missed a trick in having the chorus in English as it would give most viewers something to hang onto.
My main concern is that this may come off on the night as two old guys trying to look cool in leather trousers and open neck shits but actually end up just looking like a tribute to Top Gear.
 
19) SLOVENIA
This is possibly the most contemporary song Slovenia have brought to Eurovision in a very long time. The chorus is very accessible and has a good structure. It has edges of dub step - but never quite goes the whole way.
Hannah is a good looking girl and seems to be able to command the stage well. I don't think any extra singers will be needed so there will probably be a lot of dancing on stage.
She seems to have cut herself a bit of a niche in Slovenia but part of me wonders if she can sing the song as accurately live.
http://youtu.be/OMa3V0zqksE

18) SWITZERLAND
After a hastily arranged name change, Takasa has a very good entry for Eurovision this year. The band, who are all part of the Salvation Army, have an anthemic song with rock parts which might get the audience joining in. The chorus is very simple although I don't think much of the 'aaaaaah' part as the first line.
The fact that all traces of the Salvation Army have been erased means the performance has lost some of its thread and continuity. Now they look like any old band rather than a band with purpose.

17) CROATIA
This year Croatia have sent a super group! 6 men from different klapa groups singing a simple, traditional klapa song. I very much commend them because there are so few pure entries this year reflecting national tastes.
The song, although in Croatian, has a lot of repetition, and it stays in your head very easily. The performance is not much, although in one video they were heavily choreographed doing hand gestures and walking but it looked awful and looked as cringe worthy as they probably felt doing it.
http://youtu.be/qdESBf3UFQI

16) ARMENIA
This song is generally way down on fans' charts and I am not quite sure why. This is a well structured and well written rock ballad and sung by a man who can actually sing! The song, written by Black Sabbath guitarist Tommy Ionni, has some interesting chord patterns and has a good balance of styles between the verses and chorus.
Conversely, Gor and his band do look like a very motley crew and don't exactly look the neatest or clean cut of bands. But if one is judging this as a hairiness and eyebrow contest, this lot would win by a country mile.
 
15) UNITED KINGDOM
Bonnie is back! 29 years since she was first asked to represent her country she's finally said yes. This country style rock ballad suits her voice perfectly and she seems to sing it well and perform it well live too. Although we all (wrongly) said this about "The Hump" last year, she is popular still throughout Europe (she sang at the German televised New Year party).
My concern is that she'll get middling televotes and jury votes and with the new combining voting system this may mean 0,1 or 2 points per country.
http://youtu.be/HALTU11QE6g

14) GREECE
For once Greece have not sent a tuneless bint with long dark hair, a very short dress and most importantly a backing singer who is actually doing most of the singing... Although it is a bigger shock to learn that there is an Athena tribute band in Greece. Kosa Nostra are joined by Agathonas a middle aged fellow with a balalaika and a very bushy moustache.
The chorus of the song is extremely catchy - just being the title repeated over and over again. Good but surely the Greeks don't really want to win, do they?

13) GERMANY
The world famous Cascada, and Natalie's many corsets, represent their home country with the song "Glorious". The song is standard Eurodance fayre and very much of the groups style. There is also no doubt that this girl can sing and perform AND it will go big on the night, being one of the few disco dance songs in the whole contest. It could also be big European hit.
But similar songs rarely win successive contests and although it is not "Euphoria", it is similar and I feel this will mean it is under voted.

12) LITHUANIA
One of the first songs to be selected, yet it's still refreshing and interesting to listen to. A contemporary song with a hint of the early Killers about it. The lyrics are a bit strange (he has one shoe called love and another called pain WTF?!?!) but his pronunciation is so bad the terrible lyrics wash over you.
Andrius also started this year's meme of over exuberant eyebrows. It also looks like he's ditched the top hat and tails look for Eurovision which is a shame even if he did look like an extra from a Mr Benn episode.
 
11) ROMANIA
Possibly the strangest song of all 39 this year. Cezar is a counter-tenor whose style and presentation is more than a little bit camp. Unlike other countertenors who have come and failed, he alternates between low and high. When he sings in higher range it is very pleasing to the ear but deciphering the lyrics is a tough old job.
This will stand out a country mile from everything else in the contest with its opera twist and mid-song dubstep breakdown - but will too many people think this is a comedic entry?
http://youtu.be/8pNEEb6dzi8

10) IRELAND
Coming back after 2 years away (their place taken by the republic of Jedward) Ireland finally sounds like they have produced a non-joke entry for Eurovision that fits inside the 20th century.
There are some vocal issues with this song but the staging of the song during the national final was good and could be built upon for a bigger stage. The mix of modern and traditional really stands out and this could go big in the hall. Could the Celtic Tiger be re-awakened but does Ireland *really* want to win and pay for this?
 
9) UKRAINE
Eurovision does Disney.
The video for this song is however extremely over the top and is almost sickening in its sugariness. The song has undergone some changes since the national final with much more repetition of the chorus. Although most changes have gone down well, I much preferred the original version and find that the song no longer flows properly and the ending is really awful.
Zlata is a fantastic singer and has an amazing range, she is also extremely attractive and she will put on a fantastic show.
http://youtu.be/-onH40yB2uk

8) MONTENEGRO
If this song does not qualify, it'll be the missed opportunity of the century. Yes, this act will probably be used in 'isn't Eurovision wacky' clip shows for the next umpteen years but this song, whether you like rap and dubstep, is possibly the most contemporary song EVER sent to Eurovision.
The video has attracted A LOT of attention worldwide and I very much suspect that the song will not sound quite as polished on the night but Montenegro and RTCG need to be applauded and gives some respect for choosing this.
 
7) SAN MARINO
The Siegel/Monetta partnership is back in town! Last year's "Social Network song" was the catchiest, most annoying and most embarrassing performance of last year. Poor Valentina was made to look like an 18 year old x-factor reject but this year the German maestro has written something more her age and style.
The false finish (something not heard since 1997) initiates a much needed tempo change which the auditorium will go wild for. Just don't sing "I will survive" or "I love to hate you" at the same time...

6) DENMARK
Denmark have a stomper of a tune with an infectious and repetitive chorus. The song covers a range of tempos but contains Celtic and Balkan influences with the tin whistle and military drumming. The performance is simply directed and choreographed but effective. I'm still not sure if the fire motif works with a song about teardrops.
Emmelie favours the 'little match girl/shabby chic' look and spends most the song pestering one of the drummers - I wonder if she wants to know where he's hidden her hairbrush...?
 
5) SERBIA
This is one of the few up-tempo Swedish style schlager songs of the year - however this one if wholly in Serbian. The song is very catchy - the piano intro is a very interesting segue into the song although the ending is still on the disappointing side. This will  get a lot of ex-Yugolsav votes as well as Nordic votes for its Schlager qualites but will very obviously get the dirty man vote.
Moje 3 are the band, and one of them is the first to go from jESC to ESC, and they have seemingly been styled as "Bananarama through the years."

4) NETHERLANDS
The uber-ballad of the contest. Slow, dark, melodic and memorable. The first time heard this I was very disappointed. I was hoping for something more rocky, more uptempo, more violent from the once enfant-terrible of the Dutch music scene. However on further listens it is engaging and atmospheric. This will be a very concentrated performance on the night.
Anouk has been a star in the Netherlands, and the environs, for many years and her very simple live video shows she can sing this live with little trouble.
 
3) SWEDEN
The underdog of Melodifestivalen won the ticket to Malmo in dramatic style as the first 'andra chancen' winner to win the festival. The main attraction of the song is that the changes of tempo and energy are very individual and the chord sequences are kind of are epic - plus Robin's voice is almost flawless.
The lighting and fireworks accentuate the peaks of the song and although it is repetitive lyrically, it doesn't feel it. Changes will need to be made in order to fit backing singers onto the stage.

2) NORWAY
Bjork meets Depeche Mode.
Eurovision is in a state of flux. There are still those traditional songs but those songs trying to be modern are not all hitting the spot. This one does the job perfectly. This song is full of atmosphere, tension and darkness. It ticks rock, emo, radio-friendly and dance buttons at the same time.
Margaret is joined by a drummer but will also need backing singers behind her. She has an unusual wispy voice which is interesting to listen to. She is also dressed as an Ikea mirror frame.
 
1) ICELAND
I breathed a satisfied sigh of relief when Eyþór won the superfinal during the Icelandic preselection.
The ballad, in the local tongue, has a passionate performance and although you might not understand the words, you understand the song. Eyþór also looks like an Icelander- like a big, burly, long-haired Viking - yet his voice is smooth and soothing. The song also has a Celtic theme with drumming and flutes. It does have shades of "Let It Be" about it...
It won't win, or be a hit, but for me this song hits the spot and the video is EPIC. It has certainly sold me the idea of an Icelandic fishing and skinny dipping holiday...

Tuesday, 19 March 2013

ITALY

The Italian participant was selected back in February through the San Remo song festival. The winner of the contest was Marco Mengoni but no decision was made on the song he would be singing.
On the Eurovision deadline date, March 18th, RAI confirmed that he would be singing the song that gained him the San Remo title, "L'essenziale" (The essential)

During his San Remo performance he was on stage alone. The background is a purple colour and behind him are spinning screens which seem to show flashes of  neon. Being San Remo, he has a full orchestra behind him to help with the building nature of the song. Marco is dressed in a sharp suit and tie and his hair in a quiff. He looks quite retro and it is a shame that the song is not. He is behind a microphone stand for most of the performance until the end.
Marco has a very strange performance style - almost like he is in his own little bubble. Although he does not stand their with his eyes closed, he doesn't seem to focus on the audience or take into account the TV cameras. I am not sure that the European TV audience will appreciate the performance as it stands. Marco is a very well loved singer in Italy and you can tell that in his short career he has gained a lot of experience.

The song is another slow building ballad at this year's contest and is a very Italian production. The song itself is well structured and the chorus is quite memorable, although not repeated as much as it could be. It takes a while to get going and the ending is a little weak. Both will probably need to be re-orchestrated for Eurovision. I think that the song needs to be switched about a bit to make the song really stand out and show off its strengths.

Italy automatically qualifies for the final and so will go straight through to Saturday night. The song, as is, is too long by about half a minute. It is not clear exactly to me how they will shave this part off. I don't think this is a winner. It is an intense song by an intense singer and I feel that some people will appreciate the song, whilst others will find it hard to access. I also feel his perofmance style, as is, will no appeal to everybody. I do think this will be a jury favourite.

 
Artist - Marco Mengoni
Song - L'essenziale (The essential)
Music - Francesco De Benedittis, Roberto Casalino, Marco Mengoni
Lyrics - Roberto Casalino

 

MOLDOVA

The Moldovan Final wasbe held on March 16th at the TRM TV Studios in Chisinau, hosted by Catalin Josan & Evelina Virlan. Before the final there were 2 semi-finals where the 24 was reduced to 14. The winner was chosen by a 50/50 televoting and jury vote. The winning song was "A million" sung by Aliona Moon.
However , straight after her vitcory it was announced that she will be singing the Romanian version of the song in Malmo, with the title "O mie" - a thousand.

Aliona is centre stage with a pianist to her left and three backing dancers dressed in gold hoodies behind her. The motif on the video screens is that of stars and planets which works well as the stage really needs to be as dark as possible.
This performance is all about the dress. The top of the dress is made of circles of metal, almost like a huge necklace attached to the dress. Taking inspiration from Sabina's dress from Baku, this dress turns a multitude of colours and ends like a huge bonfire. The weight of all of this has also had an effect on her hair which seems to have been magnetised the side of her head.

As I have stated, the song will be sung in Romanian but in the national final she sang in English. Aliona performs the song really well but does have to strain a little to get the high notes near the end. There is a clip of the recorded version of this but not live version as yet. The song has a lot of parts to it, in particular a very interesting chorus. However I feel that the change of language is not a good one. Although the new version has that Italian language quality to it I feel that the story behind the song will be lost.

I like the background of this show and I hope it is kept for Malmo. I think that the dancers are superfluous and only cause distraction when the main focus should be on her. This is yet another ballad to add to the list and in a semi final filled with ballads I am not sure how well this one will stand out. If it were not for the dress, it would not stand out at all. I personally neither like or dislike the song which makes me fear that people won't have a reason to vote for it.


Artist - Aliona Moon
Song - Crisalide (Chrysalis)
Music - Pasha Parfeny
Lyrics - Yuliana Scutaru





Monday, 18 March 2013

SAN MARINO

The Eurovision entry for San Marino was unveiled during a special broadcast on March 15. The show, on SMRTV, hosted by Alessandro Capicchioni, also featured the writers and lyricists of the song. Back in January, last year's representative Valentina Monetta was revealed as the singer again this year. The song she will be singing is "Crisalide" (Chrysalis)

The show featured the song in the form of a music video, not a live performance so I have to take this into account, although having done Eurovision before this does help. She certainly looks more natural and more at home, and more of her age, in this video than that of the Facebook song. During most of the video she has her hair down and wears long flowing fabrics. When she appeared last year, she had the mick taken out of her a fair deal due to the song and presentation of it. This is very different to last year and more akin to Valentina's style of song and singing.

The song, entirely in Italian, is actually a song of 2 halves. The first 2 minutes are a fairly standard Italian ballad with lots of repetition. Then there is a false finish which then causes the beat racks up a little. She then sings another verse and two choruses at a slightly more infectious pace. The song doe not appear to have any backing singers on it. It would be nice to have some of the acrobats in the song on the stage as I feel they would add a lot visually.

The song is standard Siegel fayre, has a very familiar chord pattern and in that way it already sounds like you have heard it somewhere before. It is pretty individual and will appeal to a lot of people. I also think that she and the song, especially the change at the end, will go down well in the hall. I don't think that being in Italian will be a barrier and the song suits the language. San Marino have never qualified for the final before and I think this has a very good chance. Hopefully this will go down well with the juries and will get enough votes to get it through.

Artist - Valentina Monetta
Song - Crisalide (Chrysalis)
Music - Ralph Siegel
Lyrics - Mauro Balestri

 

FYROM - reloaded

The day after the Macedonian song was presented on TV, the video for "Imperija" disappeared from official MRT internet sites and channels. The channel initially announced that this was because the video was not up standards (The video featured buildings connected to the controversial Skopje 2014 project). They then revealed that song was to be replaced, due to bad reviews written by the Macedonian public on socal media sites. since the reveal. Within a few days it was announced that Lozano and Esma would be singing a new song. On March 15th the duo presented their new song "Pred da se razdeni" (Before the dawn).

The song was performed on the set of the Macedonian version of "Strictly Come Dancing". Unfortunately they were both miming. At the back of the stage are 2 female backing singers. Lozano is to one side and Esma is nowhere to be seen until her part starts up. While she enters and sings Lozano, changes sides and then sings the next part on the opposite side. For the final chorus Lozano joins Esma on the central platform. The stage is a blue colour while Lozano sings and is multicoloured and flashy when Esma sings. This also brings out more distinction between the two parts of the song.
I quite like this idea and I think this kind of 2-sided stage could work for Eurovision. I can imagine one side of the stage in darkness while the other part is performing. However it does limit the interaction between the two and so at the end it feels a little bit uncomfortable, like the chemistry isn't really there and one doesn't really understands what the chemistry should be like...

The song is basically in two parts - Lozano sings the balladeer parts in Macedonian, Esma sings the up-tempo parts in Romani. His parts are very clear and seem easy to sing. This is also the part of the song you will remember and hum along to. Esma's part are really over produced, with a very sever echoing on the beginning of her parts, which she will be unable to replicate on the stage. It is a very difficult song for a non Eastern European to access and it might come across as a bit too freakish.

I think it was a shame that "Imperija" was replaced. Although it had its faults, the song  had a great rhythm and had a memorable chorus. However this new song is very strange - this could be its good point or bad point. It does sound like two different songs mashed together but I think many will think this works, just as many with think it will not. Another big factor is whether they can sing this live. I am not sure this will gain enough votes to progress.


Artist - Esma and Lozano
Song - Pred da se razdeni (Before the dawn)
Music - Darko Dimitrov, Lazar Cvetkoski, Simeon Atanasov
Lyrics - Magdalena Cvetkoska

 

Sunday, 17 March 2013

AZERBAIJAN

The Azeri Final was held on March 14th, hosted by Leila Guliyeva & Konul Arifkizi. Before the final there were 8 heats held at the Ictimai TV Studios in Baku where the contestants sang a range of songs through the week before the winner was determined by SMS voting (50%) and an "expert" jury (50%). In the final though, with winner was chosen by jury vote alone. The ticket to Malmo was given to Farid Mammadov singing the song "Hold me".

Farid is atop a small platform for most of the song. He is flanked by 4 backing singers who spend most of their time in the shadows unseen apart from a brief cross over. During the middle part of the song he is accosted by a female dancer who then runs off. At the start of the song the lighting is almost black, slowly lights up to a blue (seemingly this years National finals colour) then ends with a pinky-red diamond effect in the background and a flash of fireworks.

The song is a fairly standard ballad. The song and performance are pretty standard stuff and not exciting in the least. There is little movement or engagement towards the audience in the room or the audience at home. Unfortunately Farid's English accent and pronunciation is appalling and the verses turn into mumbling wrecks only to be awoken by the shouts of "Hold me, just unfold me!" .

So the song and performance are awful, however it will probably qualify. Although I think this is a poor song, it will get enough votes. The Turkish Diaspora vote my well be enough to get it through to Saturday night, especially as this year there is no Turkey to vote for. If he performs as badly as he did in the national final though, juries will not appreciate this performance at all. This is a middle runner, but nowhere near a winner,


Artist - Farid Mammadov
Song - Hold Me
Music - Dimitris Kontopoulos
Lyrics - John Ballard, Ralph Charlie
 
 

Saturday, 16 March 2013

MONTENEGRO

The Montenegrin song was premièred on 14th March during a special show broadcast by RTCG and presented by  Sabrija Vulic. Who See were internally selected by the broadcaster and the duo will be joined on stage by singer Nina Žižić. The song they will be performing is "Igranka" (Dance).

During the broadcast the three performers were interviewed and their music video for "Igranka" was shown. The concept of the video is very bizarre and not very Eurovision at all. Scantily clad ladies dancing. Scantily clad ladies fighting, strange topless men angle grinding - all while some kind of fancy dress party is going one. The video is very atmospheric and tries to evoke a party/concert atmosphere - one which will be very difficult to replicate on stage with 6 people.

The song is very modern and contemporary - one may say that Eurovision isn't quite ready for this yet. The song is a modern rap song with a dub step breakdown in the chorus. The song in wholly in Montenegrin but I don't see this as being too much of a problem as I feel that the language actually compliments the industral edge and rawness of the song. The band are seasoned performars and should not struggle with the performance, but one will have to see. One obvious problem is the sampling of Nina's voice in the introduction. I am  not sure of that is something Nina can replicate live, or something that will require backing singers or something they might just leave out completely - which would be a shame.

I would absolutely love this song to qualify for the final - something Montenegro have never done in their 4 previous attempts. I am extremely curious about this song and the performance. I feel that this song will appeal to younger watchers of eurovision as it will feel current to them. Also semi-final one is over-run with ballads, so this will stand out even more. On the negative side the juries, unless they all include a dub step DJ on each panel, will more than likely not be voting for this. Initially I feel that this will be on the cusp -  a lot will depend on the direction of the judges and what happens on stage. There are too many variables in the air at this stage to make a fair judgement.


Artist - Who See featureng Nina Žižić
Song - Igranka (Dance)
Music - Djordje Miljenovic
Lyrics - Dejan Dedovic, Mario Djordjevic, Djordje Miljenovic


FRANCE

The French song was premiered on the France 3 website on March 14th. Back in January, the national broadcaster France 3 revealed that Amandine Bourgeois would be representing the country. She will be singing the song "L'enfer et moi" (Hell and me).

The website premiered the music video for her song, however on the same day she appeared on "C'a vous" where she performed the song in front of the other guests on the show. She sings the song on a stool backed by 2 female singers. Unfortunately it gives us very little clue as to how it might be staged in Malmo. The music video is very stylised and although it might be nice to try and get this feeling onto the stage this will be very difficult.

"L'enfer et moi" is a very dark song. During most of this song she is backed by an electric guitar. As it progressedsto the end the beat of a drum is most prominent. She is an interesting singer with quite a unique voice, if not a little screechy and shouty at the end. It is a moody song which will require a moody performance, not necessarily an engaging one and one, I don't think will make people pick up the phone and vote - not even in French speaking countries.

Basically, this is not a Eurovision song at all. I don;' even think this is an 'anti-Eurovision' or 'too good for Eurovision' song. Not being in English should not be a barrier to voting for a song but in this case I feel it is. There is such a strong narrative to the song that I feel will missed because this plot will not be able to come out on the Eurovision stage. Therefore I feel this is a song no-one will vote for no matter how good she might be on the night. As they are part of the Big 5, France are automatically through to the final - which is a good job really. Expect a finishing position that begins with a 2 (and I don't mean a single digit).


Artist - Amandine Bourgeois
Song - L'enfer et moi (Hell and me)
Music - Boris Bergman, David Salkin
Lyrics - Boris Bergman, David Salkin


 




Friday, 15 March 2013

Replacements

Surely choosing a song and artist for Eurovision is simple?           WRONG!

In modern times, winning your national selection is not always a cast iron guarantee of performing at Eurovision week. In fact, it seems that this is only half way to gaining a pair of golden handcuffs. Songs and artists can be interchangeable and countries can even be disqualified and no replacement put in.

In this podcast we look at the history of qualifying winners, that then turn out to be losers and what they were replaced with...

Keep an eye on the twitter feed at @DVVHolland as well as the facebook page at https://www.facebook.com/DVVHolland to find out the latest news :o)

You can download or listen to it here http://www.archive.org/details/ESCReplacements

Click here to listen to this podcast in your usual music player (M3U Playlist)

Thursday, 14 March 2013

THE NETHERLANDS

The Dutch song was premiered during a live press conference aired on Radio station sterren.nl on March 11th. Back in October, the national broadcaster TROS revealed that Anouk would be flying their flag in Malmo. She will be singing the song "Birds".
 
During the press conference the song was just played, however on the same day she recorded a very simple live version on camera, which is the version below. She has stated that her performance in Malmo will be very simple, with just her on stage. I imagine a set up similar to that of Patricia Kaas a few year back. If the artwork of her song is anything to go by it will have a  monochrome look, in an old fashioned way, which will mirror aspects of the song.

Birds is a very simple almost stripped back ballad in 3/4 time. It is quite a dark song with a very sorrowful tone and laid back style. Her voice is very clear and the message of the song gets through. The song doesnt really grow and stays on the same level throughout although the backing track does provide some suspence at times. The song is very atypical of recent Eurovision fayre and seems like something more likely to have appeared at the early years of the ESC.

On first listen this is a very odd song. It does not sound like a Eurovision song at all. However after a few listens the song you warm to it and it becomes very familiar very quickly. Although the contest seems to be full of ballads this one is very unique. I honestly feel that a lot of this song's pull will be about the performance. Anouk is a well rehearsed performer with lots of experience and as it shows in the live clip she can perform this song effortlessly. A absolute idea of how well it will do cannot really be made until it has been put 'on show'. Initially I though this was very poor but has grown on me. This could be a dark horse or a complete failure.

Artist - Anouk
Song - Birds
Music - Anouk, Tore Johanson, Martin Gjerstad
Lyrics - Anouk

 

ROMANIA

The Romanian Final was held on March 9th at the TVR TV Studios in Bucharest, hosted by Paula Seling, Ovidiu Cernauteanu, Andreea Banica & Marius Rizea. Before the final there were 2 semi-finals of 16 songs each and the top 6 songs moved through to the final. The winner, chosen by televoting (50%) and an "expert" jury (50%), was Cezar with "It's my life".

Cezar's performance in the final was different to that in the semi-final. I have placed both at the bottom of the review although I will focus on the final performance (howver the semi-final show was more visual, but the dancing even more dire). The stage is very simple - all black with a vertical video strip and different flashing lights. At the front of the stage there were pyrotechnic displays I could imagine something much more dramatic on set in Malmo. He is joined by 4 dancers, and a hidden backing singer (boo) The dancers in the final are wearing very bad outfits which don't suit the song at all. In fact the whole dance routine doesn't fit at all.

Cezar is a counter-tenor and although we have had a few of these in Eurovision before, one has never made it to the final. He is a very over the top and engaging performer - but the song needs it. The song's structure is very predictable which makes it very catchy. Half way through her is a dub step breakdown which actually works! On the negative side the chorus, which is sung in his upper range is almost incomprehensible, apart from the title. He has a very striking look, almost like the body and the voice don't go together.

This will, for one reason or another, be a memorable performance. Although Cezar is serious about his work and the area of opera he is trying to publicise, part of me just feels he needs to... well... camp it up a bit. I did joke on twitter that the only way this would work would be if he sang in a dress.
In all fairness to the guy, he is good at what he does and over time he and the song have grown on me. And amidst all of the ballads and Loreen rip-offs this certainly stands out. I think, and almost hope, that this does qualify for the final and I really wouldn't mind if this won *stunned silence*.

Artist - Cezar
Song - It's my life
Music - Cristian Faur
Lyrics - Cristian Faur


 



Wednesday, 13 March 2013

SWEDEN

The Swedish Final was held at the Friends Arena in Solna on March 9th, hosted by Danny Saucedo & Gina Dirawi. Before the final there were 5 semi-finals, including an "andra chansen" round. The winner was chosen by televoting (50%) & 11 international juries (50%).  The winning song was "You" performed by Robin Stjernberg.

The staging of the song is full of movement. Robin performs most of his song to camera even when moving around. He keeps moving around the stage and walks a lot as well as using his arms to point and reach out to the audience. Robin is joined on stage with 3 female and 2 male dancers clothed in cream colours. Robin does not interact much with them much does walk between them at times. The stage is quite dimly lit apart from the chorus when bright lights flash. During the final part of the song there is a waterfall pyrotechnic display behind him.

"You" is a multi paced song with quiet and powerful parts. There are lots of hooks to the song as there is a lot of repetition. The song really shows of Robin's power and range of his voice. However like many songs this year, it can feel like one long chorus. It also doesn't help when the main hook of your chorus is one word yodelled many times.  The ending of the very song is very memorable and Robin belts out a very difficult note, which I have to say he has held every time I've seen him perform. The ending is a little weak but could be inproved by mirroring the change in tempo with the lighting display.

I think the song is a very strong and is a memorable one. As I have just said it has lots of hooks and will be memorable. It is a song that would not go amiss on the radio, in particular Radio 2 as it would appeal you a wide range of people. I also think people will like Robin, girls and boys alike! As reigning champions they qualify straight for the final and I think this could do very, very well. I personally would not be disappointed if we were in Sweden again next year - although SVT might not share my enthusiasm...

Artist - Robin Stjernberg
Song - You
Music - Robin Stjernberg, Linnea Deb, Joy Deb, Joakim Harestad Haukaas
Lyrics - Robin Stjernberg, Linnea Deb, Joy Deb, Joakim Harestad Haukaas



Tuesday, 12 March 2013

ISRAEL

The Israeli Final was held on March 7th at the Broadcast TV Studios in Holon, hosted by Orna Datz & Ron Shachar. Before the final there were 4 semi-finals. The winner was chosen by televoting (50%) and an "expert" jury (50%). Moran Mazor was declared the winner with the song "Rak bishvilo" (Only for him).

The staging of the song is very static. Moran is in the centre of the stage with a piano and pianist on one side and two backing singers on the other. It all looks a bit barren and far too spaced out. It starts off dark with light blue lighting. The background is made to look like a night time sky with stars moving past. There is definitely an atmosphere about the song and performance. Moran, who is dressed in a rather tight and unflattering dress also appears to have comedy oversized glasses which also doesn't help the look of a serious performer.

The song is a ballad, fully in Hebrew, in a minor key with a repetitive chorus. Moran completes a very intense performance with quite a lot of vocal gymnastics. However the song doesn't really go anywhere and by the end it feels like one long chorus. This is not the happiest of numbers and is quite dark and melancholy, similar in theme to their 2010 entry which although a fan favourite did not do as well as expected.

I think there is a lot about this song which could be improved and changed, in particular in the visuals of this performance. A lot of people will like this song because it is dramatic and Moran is a bit of a diva. However I don't feel that the general Eurovision audience will connect to this at all. Yes, it may be a jury favourite, especially those with a musicals background. I personally cannot follow the song and find it a bit too painful to get engaged in. I'm not sure if this can or will qualify.

Artist - Morin Mazor
Song - Rak bishvilo (Only for him)
Music - Chen Harari
Lyrics - Gal Sarig

 

UNITED KINGDOM

The United Kingdom made their publication of the internally selected artist and song on March 7th. It was announced via the BBC Eurovision website after it was leaked earlier on the day on various websites. After much speculation it was revealed to be Bonnie Tyler singing the song "Believe in me". The website published the music video of this song. However there are a few videos of her on the web singing this song  as part of her recent tour, live and with a live band/orchestra.

It is very hard to judge a song by a music video or a poor live recording but I will do my best. Bonnie is not one for flowing dresses or a glamorous look. in both videos she seem to be dressed in a country/rock theme, which also suits the style of song. Bonnie obviously has a lifetime's experience of singing live and performing to large audiences and arenas. She is also not afraid to move around the stage and connect with the audience. During the live version of the song, which does not have the best audio, she seems to deliver the song with little effort, apart from one high note. She sings with backing singers

The song is a building ballad with a memorable chorus. The verses are quite low and soft whilst the chorus is much more punchy and shows of Bonnie's unique voice. The repetition of the title of the song  means it stays in your brain quickly. My only concern is the bridge part about 2 minutes in which seems very long and with not much time for breath. Musically, it doesn't quite fit in with the rest of the song but I suppose it does provide some contrast for the final chorus. I also feel the song should end on a big not, reminding people of her big voice.

This is a very good song and a good singer. Unlike last year when the UK went for a 'name' this is a name and a voice and feel that this extra presence will mean a  much better result than last year. The song is memorable and has a decent hook and could be a favourite amongst older listeners, her fans and possible the juries. However the age old problem is who will vote for the song and who will vote for the UK? This should be a top ten contender but probably won't be, but I will also be the first to be happy if she does.

Artist - Bonnie Tyler
Song - Believe in me
Music - Desmond Child, Lauren Christy, Christopher Braide
Lyrics - Desmond Child, Lauren Christy, Christopher Braide